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Elvis! Elvis! Elvis! Yes it's the King of Rock & Roll as never seen before in this collection of rare outtakes and negatives from the fabulous MGM vaults. "Elvis: The Lost Performances" includes footage which was filmed for "Elvis: That's the Way It Is" (1970) and "Elvis on Tour" (1972) but was never used in those films. Included are clips of Presley singing such hits as "Teddy Bear," "Heartbreak Hotel," "All Shook Up" and more.

How a South Pacific love song touched hearts around the world.

A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.

We do all show business explores the reality of women in this world of sounds and songs, rhythms and all these so-called "rock" musics ". From Marjo to Louise Forestier, from Nanette to Sylvie Tremblay, from Diane Dufresne to Louise Portal, and some more obscure bands from the time. Fifteen Quebec artists talk about their voice and power in their profession as musicians and singers.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

It’s the hit musical that changed Broadway forever and brought the genius of Lin Manuel Miranda to the attention of legions of fans across the world. A story of how a group of mavericks made an unlikely marriage of hip-hop and history to create the biggest show in America…and are getting ready to conquer the world. Featuring interviews with Miranda, as well as the cast and crew of Hamilton.

The discography of Roy Orbison (1936-1988) - which yielded some of the most heartfelt, passionate classics of the rock ‘n’ roll era - shined even brighter with the release of Mystery Girl, the last album Orbison recorded, in 1989. The commercial success of Mystery Girl was nothing short of impressive: the album was a Top 5 hit, eventually earning Orbison his first platinum award for over 1 million sales, and featured the worldwide Top 10 smash “You Got It.” Mystery Girl: Unraveled features a new hour-long documentary on the making of the album, executive produced by Roy’s sons. The documentary includes new interviews with those behind the album including Steve Cropper, Tom Petty, Mick Campbell and Jeff Lynne. In addition there are eight wonderful music videos, including an unreleased alternate video for “She’s a Mystery to Me” and three new videos for “The Way Is Love,” “You Got It” and “California Blue.

A short documentary about singers Kate and Anna McGarrigle made by animator Caroline Leaf.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

In 2002, a 60-year old McCartney refocused the attention on his musicianship, staging a massive live concert in Cleveland, Ohio. The superstar, who went on to form the popular rock group Wings and had several hit records as a solo artist, performs a track list that covers all three phases of his long and prolific career, including the hits "Eleanor Rigby," "Live And Let Die," "Blackbird," "The Long And Winding Road," and "Mother Nature's Son." In addition to the 30 tunes that McCartney enthusiastically performs, seemingly immune to the ravages of time and aging, BACK IN THE U.S.A LIVE also includes candid behind-the-scenes footage of the rocker backstage and on the road.

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)

WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.

This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)

After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.

Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.

This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.