The Ghan is an innovative three-hour documentary that takes the viewer on an immersive, visually stunning journey on Australia's most iconic passenger train. In Australia's first 'Slow TV' documentary, The Ghan doesn't just travel through the heart of Australia, from Adelaide to Darwin, it explores the part the Ghan played in the foundation of modern multicultural Australia.
In a time of hardship, Hobart resident Peter Walsh turns to the secretive platypus for solace, only to discover it is the platypus that need his help to survive in a habitat under threat.
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Val Plumwood, environmental philosopher returns to Kakadu, where she was the victim of a crocodile attack. Against the backdrop of the steamy, intensely beautiful Kakadu National Park, she shares her thoughts on wilderness and wildlife.
Excessive speed is the number one killer on the roads: one-thrid of all road deaths are caused by it. By excessive speeding drivers risk their own lives and those of others.
Shot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.
Charting the recovery of wildlife in the aftermath of Australia's catastrophic bushfires through stories of hope and resilience.
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
Follows the incredible journey of Dave Welsman, a Sydney kids' magician determined to reboot his life with a grand illusion to make Uluru disappear. As Dave works alongside the Rock’s traditional owners and Indigenous Custodians to pull off this spectacular stunt, he discovers the profound cultural and spiritual significance of Uluru, and his own illusions about fame and success begin to disappear.
Jay Blades, presenter of The Repair Shop, has decided it’s finally time to learn to read. He has been told he has the reading age of an 11-year-old. Throughout his life he has found ways of avoiding the written word, and this film digs deep into how this has shaped him.
In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
An hour-long documentary on the life and career of actor David Gulpilil.
Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.
This Traveltalk series short visits Australia.
An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to discover horrifying truths.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
Filmmaker Marlikka Perdrisat forms a dreamlike expression of her intergenerational connection to Country. A connection available to everyone who loves and cares for a place.