J'ai deux mots à vous dire

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents As You Like It.

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

Le Tartuffe

Le Malade Imaginaire (de Molière)

Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...

John Rockefeller is completely overwhelmed by events: he must simultaneously face the perpetual attacks of "colorful" Indians , the multiple romantic imbroglios which are playing out within his home, the sudden crisis of dementia of his wife and finally the drunken wanderings of the local doctor, Doctor Butler, a man particularly given to drink.

Today is a big day for Sylvain Sabourdin: he has to meet his future father-in-law, go through a job interview and make big decisions. But while he is getting ready, a power outage prevents him from shaving completely and leaves him with a moustache: Hitler's moustache.

With their faces of sweet lunatics or lighted beaufs, citizens of the ordinary or pochards between two wines, they interpret, in twos or threes, conversations seized on the zincs of the bistros or in the corners of our kitchens. A few minutes of delirium or absurdity. The Deschiens are the actors of Jérôme Deschamps's troupe, who, as usual, with his accomplice Macha Makeieff, track down the little nonsense of everyday life, between humor and ferocity.

Jeho urozenost pan měšťák

¿Qué fue de Jorge Sanz? 5 años después

Le noir te va si bien

The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Constance

Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love.

J'ai envie de toi

In 1972, Czechoslovak Television recorded a performance by the Vinohrady Theatre, which was very well received. Moliere's comedy The Miser was staged on a turntable, but in period costumes and scenery, without any hint of updating, in a traditional translation. However, it was modern and contemporary mainly thanks to the stage direction of Jaroslav Dudek and the excellent acting performances of the main actors, led by Miloš Kopecký in the role of Harpagon. His civil speech, which was not devoid of majesty, anger, imperiousness, dislike and lack of feeling towards those closest to him, was supported by the equally precise performance of Jaromír Hanzlík and Daniela Kolářová in the roles of his children, Jiřina Bohdalová as the matchmaker, and the other actors. The comedy in their performance is timeless and will delight lovers of classical theatre even today.

La Smorfia - Seconda Parte

La Smorfia - Terza Parte