Le Garçon d’appartement

A man decides to take the madness of the world around him as inspiration.

The third production in a series of Monoteater productions on the theme of "A Man's Life". In its first year, the theatre, which started in 2009, dealt with the early stages of a man's life in the monocomedy "The Husband", in which Jan Uuspõld explored in depth the differences between men and women. In March 2010, Monoteater staged the monocomedy "The Father", which took the audience into the sometimes crazy period of a young man's life, when a big change is about to take place - a baby is about to be born into the family. In April 2012, the audience was introduced to the next important stage in the man's life - a man and a father about to become a grandfather.

Lumpacivagabundus

A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.

As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

Mannar Mathai runs a travel agency with his friends, Gopalakrishnan and Balakrishnan. He wants to revive his drama group on its 25th anniversary but his friends refuse to act again.

It is a Zeki-Metin comedy that satirizes the bans in the Republic of Turkey.

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.

Un chapeau de paille d'italie

Une clef pour deux

Nelson

The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.