NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.
CC’s signature animated film covers the basics of why we formed, what we do, and how we do it.
For more than three decades, transnational corporations have been busy buying up what used to be known as the commons -- everything from our forests and our oceans to our broadcast airwaves and our most important intellectual and cultural works. In This Land is Our Land, acclaimed author David Bollier, a leading figure in the global movement to reclaim the commons, bucks the rising tide of anti-government extremism and free market ideology to show how commercial interests are undermining our collective interests. Placing the commons squarely within the American tradition of community engagement and the free exchange of ideas and information, Bollier shows how a bold new international movement steeped in democratic principles is trying to reclaim our common wealth by modeling practical alternatives to the restrictive monopoly powers of corporate elites.
Member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong.
Call him a creative genius or just plain wacky. Either way Alfred Yankovic has carved his own brand of comedic parodies, polka medleys, and original songs for the outcast who never fit in.
A group of remote control car racers compete over the course of summer 2021, on different tracks in the South of England, all aiming to be crowned the King.
Mitrice Richardson, a lovely 24 year old African-American woman, was released late at night from the Malibu, California Sheriffs jail after having been detained for not paying her bill at an upscale restaurant. She was described as 'acting crazy' and, in fact, was having a mental crisis. She was released into the mountainous region with no cell, no purse, no ID, no car, no way home and vanished. Eleven months later her remains were found in a desolate Malibu canyon. 'Lost Compassion,' shot from ten days after Mitrice went missing, tells the complex, emotional inside story of the search for Mitrice and struggles with the Los Angeles Sheriff's Department, whose deputies lied about her arrest and likely were involved with her disappearance and murder.
In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.
A filmmaker turns detective to uncover the forgotten story of Li Ling-Ai, the un-credited female producer of KUKAN, an Academy Award-winning color documentary about World War II China that has been lost for decades.
Selfie is a pop culture in Hong Kong. Other than entertaining oneself, taking selfie can be an artistic work of personal photography. In general, people have negative feelings towards selfie, but it does carry alternative and in-depth meanings such as capture the moment and understanding oneself.
Adelene Koh, one of the few, if not the only, local hand bookbinders in Singapore. In her words, “Making books is an art. Nothing beats holding a book in your hand, feeling its cover, turning its pages and even smelling the paper. When you write or draw into a journal, it is forever and leaves your touch in it. When you have a book that is handmade, you know that you are holding something that is made, with heart and soul, by a bookbinder.”
Originally trained as a graphic designer and having worked in advertising for a number of years, Mun Foong's story is one about childhood interests - cutting up living room curtains to make cloths - to switching careers to follow a passion, even if it means having to teach herself all the skills needed, right from scratch.
Young, impulsive and stupid - these are words Michelle Yu uses to describe how her heart lead her to letterpress.
Documentary about the history of Philippine cinema.
Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.
Pulitzer prize-winning photojournalist Don Bartletti shares heart wrenching stories from his forty year career documenting history as it unfolds. Internationally recognized for his commitment to photographing the migration of Central Americans to the United States, Bartletti’s images reveal the never ending saga of illegal immigration by individuals desperate to improve their lives.
Speaking as scenes from Anatahan are shown, for which he directed, photographed, wrote, and provided voiceover narration, film director Josef von Sternberg takes the viewer on a fantastic filmmaking journey in this presentation of Cinéastes de notre temps: Josef von Sternberg - From Silence Comes Another.
In September of 2004 at the Toronto Film Festival, the Weavers sang together for possibly the last time.