Red Letter, Normal Person

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.

Garantía personal

Murali (Balakrishna) is pursued by the brothers of Peddaraju (Sayaji Shinde), who is cooling his heels in jail. We are not told why they are look after him. Murali is the loving brother of a handicapped woman, whom he carries to the college everyday. Of course, Murali has fun escapades with a girl in his neighborhood (Sada). And slowly but surely we are let into the past of Murali and as to what happened between him and the arch villain. It had something to do with Peddaraju's sister (Tanushree Dutta).

After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.

A rascally nearing-retirement man juggles a workers' compensation suit while secretly working for his nemesis and flirting with his nemesis' young wife. As his estranged son returns, he faces new family responsibilities, while a banker plots to evict him from his home.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

In their farm house in a New York village, Ma Shelby prepares breakfast for her four children, Isaac, Tommy, Johnny and Susan, and then awakens them. The racket the boys make as they play and fight awakens their father, who spanks the eldest, Isaac. When a visitor chides Pa for not working, Ma sticks up for her husband, saying that he has a weak back and that he is waiting for a promised government job.

A Turkish folk singer goes on a tour and falls in love with one of his young fan in İzmir. He later finds out that her sister also has a crush on him.

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

Widowed Avanti Singh lives in an Indian village along with her two sons Dharam and Govinda, and a married daughter. Dharam marries Pavitra, who has a twin sister, Geeta, who meets and falls in love with fellow collegian Govinda. Pavitra has an admirer in Dhaneshwar, a local wealthy land owner and aspiring politician, but Pavitra shuns him. Govinda and Pavitra share a special relationship and Dharam suspects them of having an affair, arguments ensue and Govinda leaves. He returns home to find that Avanti had prevented Dhaneshwar from molesting Pavitra, and Dharam, who went to avenge this humiliation, was killed. Enraged, Govinda rushes to kill Dhaneshwar, but ends up killing someone else instead, and is arrested and put in jail. With Dharam dead and Govinda behind bars, Dhaneshwar seizes the opportunity and this time does molest Pavitra. Who will avenge Pavitra and Dharam now?

Awkward teenager Charlie Bartlett has trouble fitting in at a new high school. Charlie needs some friends fast, and decides that the best way to find them is to appoint himself the resident psychiatrist. He becomes one of the most popular guys in school by doling out advice and, occasionally, medication, to the student body.

Set in the world of NASCAR racing, a family racing team is in danger of being ripped apart by the rivalry between two brothers tempted by fame, money, and beautiful women.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.