Luisa Omielan: Am I Right Ladies?

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.

A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac and William Burroughs.

An edited version of Rosefeldt's installation work of the same name, Manifesto is an outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

The film focuses on Ernesto Rossi (1897 – 1967), who was imprisoned by the fascist regime between 1930 and 1943 for his political ideas. Exiled on the island of Ventotene, he co-authored the Ventotene manifesto.

Do Útero Ao Túmulo

Manifesto Roda de Samba

Directed and written by Aurora Jamelo and Sophia William, “Incendiárias” compiles scenes of trans women and transvestites performing in public spaces in Pernambuco. The images sometimes tune in to these women's dreams and desires, their roots and truths; sometimes they denounce fears, frustrations and aggressions experienced daily - a provocation and, at the same time, a manifesto for the existence of this population.

Sascha is on her way to Italy with her camper to marry Carlo. On the way she meets Alex. The unequal travel partners are confronted with the challenges of the road. A tender friendship develops.

A series of murders and kidnappings occur by an unknown killer, and the police begin to search for him, and when a young journalist discovers that the killer has been influenced by the well-known character (The Hunchback of Notre Dame), he disguises himself as a similar person and calls himself (Ahmed Notre Dame), and agrees with a girl to kidnap her in order to attract His killer, who already begins to search for him and communicate with him.

Cousins Michele and Tommaso are told by a notary that a distant uncle has left a large sum of money for them.

Napoli eterna canzone

Archibald was born with a curious curse: he cannot make a gesture without everyone present imitating him. Now he's grown up and out of desperation he decides to rob a bank. On this occasion he meets Indiana, a young woman who always manages to avoid any form of control.

Non mi dire mai goodbye

Filmed in front of a live audience on tour in Australia, Dylan Moran’s DR COSMOS offers his unique take on love, politics, misery and the everyday absurdities of life, all served with his trademark poetical panache. Dylan Moran has been called the Oscar Wilde of comedy and his famed style - deadpan, witty and with crackpot lyricism – makes for an unmissable journey through his interpretations of the world, swerving cliché to offer a cutting blow to our idiosyncrasies.

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