Souvenir Srebrenica

A feature-length documentary film by Carol Mansour and Muna Khalidi. After 43 horrific days working round the clock under constant bombardment in the emergency rooms of Gaza’s Al Shifa and Al Ahli hospitals, British-Palestinian reconstructive surgeon, Dr. Ghassan Abu Sittah, emerged to find himself as a face of Palestinian resistance.

When the Nuxalk trace their vanished ooligan alongside a land claim filed the day smallpox arrived, their radio station becomes courtroom, confessional and conjuring ground, where an older law insists: the fish and the people return together or not at all.

The Cove tells the amazing true story of how an elite team of individuals, films makers and free divers embarked on a covert mission to penetrate the hidden cove in Japan, shining light on a dark and deadly secret. The shocking discoveries were only the tip of the iceberg.

The biggest trial of Nazi war crimes ever: 360 witnesses in 183 days of trial - a stunning and gripping portrayal of the most terrible massacre in history.

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.

Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.

London students and academics protest the genocide in Gaza.

A documentary about the history of Ukrainian Cossacks in the Kuban.

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.

As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

A personal interpretation of the blockade of Bosnia and Herzegovina's capital.

Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Among the many dramatic episodes of the siege of Sarajevo in the years 1992 to 1996, the story of a human safari has remained concealed from the public eye. Few people knew that those fighting the war on the Serbian side were not only the Bosnian Serb Army, volunteers and mercenaries but also a small, clandestine group: wealthy foreigners who paid high fees for the chance to shoot at the residents of the city under siege.

A moving psychological portrait of Cambodia decades after a devastating genocide, examining how baksbat (Khmer for "broken courage") continues to impact modern Cambodia.

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.