A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Ben Bernie and his orchestra play a few songs for a vitaphone recording.
A satire on the relationship between fame and integrity in the life of eccentric characters exploring the "art" of making noise using trash and everyday objects.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.
Parchis are kidnapped by a native tribe while on their trip to Iguazú Falls.
A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.
Promoting his 2001 jazz covers album 'Swing When You're Winning', English pop rock singer Robbie Williams fronts a 58-piece big band for a live show of crooner standards at the Royal Albert Hall in London on October 10, 2001.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Korn came out of California in the early nineties and went on to become one of the most globally successful metal acts of their generation. They continue to play live to vast crowds and have record sales in the millions. This concert from Montreux in 2004 is their only performance at the festival to date.
Duran Duran: Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.
A documentary detailing the making of the American thrash metal band Exodus' tenth studio album, Blood In, Blood Out. Released as part of the deluxe compact disc format of the album.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
Recorded at The Metro Chicago December 5 2003.
Live concert from the "Wherever We May Roam Tour" tour. Recorded at the San Diego Sports Arena, San Diego, California, on January 13 and 14, 1992.
A feature-length documentary about The Smashing Pumpkins, which chronicles the band's residencies at The Orange Peel in Asheville and The Fillmore in San Francisco in summer 2007. The documentary covers Pumpkins frontman Billy Corgan's attempts to write and debut new music at the residencies, as well as the revival of the band with new members.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.