My Poem

The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.

This film describes a wandering young man who experiences the alternation of reality and dream mirror after regretting the loss of his beloved. Finally, he successfully understands the root of pain, accepts the reality and obtains salvation.

A day of Xiaoyang, the curator of a village church. Xiaoyang and her husband have just registered their marriage, but they cannot hold a wedding in the church for her husband is not a Christian. Before the wedding, she is waiting for her husband’s baptism.

A boy with horns gathers a group of Cosers, each armed with the same traditional woodworking tools, from the grocery store, the old cathedral, the gatehouse, the forest, the farmyard, the electric mahjong parlour, the old castle and so on. At midnight, with clumsy labor, they made a huge cross.

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.

Two friends reconnect at their childhood haunts in the heartlands. As the night lengthens, their conversations draw out their sense of entrapment within the city, and how far removed their present selves have become from fleeting childhood aspirations.

A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.

What does marriage, love, intimacy mean? What should they be? Stella met his long lost lover by chance. He lived in a marriage maintained by lies and interests. Stella began to try to explore the possibility of a promising relationship with him. She questioned marriage and most hopeless relationships, but she was frustrated again and again in the process. Cast

Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.

Part mournful meditation through documentary footage, part experimental narrative. This film looks at the life of the Chinese who have been displaced within their own society.

A series of processes weave a dragnet, covering the lives of animals, and also trapped in the future of human beings. If we exchange identities with animals, will you choose to suffer or fight?

The film tells about an artist named Banpo, who suddenly returned to Songzhuang one day in 2019, silently packed hundreds of his paintings, packed his luggage, attended the worship service, watched an exhibition, and then said goodbye to his old friends. Finally, he completely left the story of Songzhuang in a quiet early morning. This story seems to be during the process of documenting artist Banpo moving out，the director reveal a huge change in the environment the artist lived in. As if the artist Banpo has foreseen the turmoil of 2020(as Coronavirus epidemic spreading across the world, a massive demolition began at Songzhuang Art District. Many artists, like Banpo, have left Songzhuang. The small town once was famous for Chinese contemporary art 20 years ago, is now gone.)

The work reflects on the relationship between technology and us by constructing an advanced technological product from the future. This future product will replace people's worship and spiritual sustentation of the power of gods and Buddhas in religion with technology, turning the invisible into visible. This paper probes into the possibility and influence of the deification of technology in the future, and puts forward the solution of "love, nostalgia and nature" to relieve the pain caused by the excessive intervention of technology.

Cheng Sanhe, the first "Kanu" who successfully filed for bankruptcy in Taiwan, went from being inexplicably indebted at the beginning to realizing that he had already owed millions of debts. The bank's collection and the finance company used threats and intimidation to collect debts. Sanhe has since fallen into the hell of "using cards to raise cards". Taiwan’s first "card god" Yang Huiru, who successfully profited from banks with bonus points, used the loopholes in bank bonuses to successfully connect relatives and friends to purchase tickets or shopping station goods by swiping cards, and then use online auctions to earn the difference. Earning millions in the bank, the bank stopped using credit cards. Yang Huiru, who has also experienced personal pain, persuaded the card slaves to face reality: "Hurry up and cut off the card! Because the interest is too heavy, don’t think about borrowing another cash card to pay off the card debt. It’s getting deeper and deeper."

SUN GLASSES

You Can Stare Like Aura Of The Sun

Jiang Xue, a well-known investigative journalist, began an in-depth investigation into the political injustice that happened in his hometown nearly half a century ago. "Xue‘s investigation" was one of Jiang Xue's main self-media at the time, but it was suspended in a short period of time because of the depth and sharpness of the work and the courage to reveal the truth of the incident. During the filming by Jiang Xue, the video version of "Snow Visit" produced by Tiger Temple was only made in the first phase of the film and one person (Xiang Chengjian) died prematurely, making it a precious historical film.

Since 2007, the director of this film has initiated and participated in charity activities for the relief of the refugees in Tiananmen Square. The main line of the film is the director and Japanese friendly people who visited the refugees in Nanxiao Street, Beijing, where they lived in 2014, and tracked the scene of their livelihood on Tiananmen Square. The film was edited in combination with the old video materials shot by the director for eight years.

The core of the work is to explore and experiment the viewing mechanism of the image. Try to recreate the third space with the characteristic of "halo" through images. The halo points to ambiguity and a sense of distance, while the third space is the difference space constructed by reality and consciousness. The work uses fragments of daily life and poetic non-linear narrative as two narrative means, interspersing and advancing the narrative, which corresponds to the two viewing states of the audience, namely reverie and trance, and hopes to connect the audience with the image in the form of flowing water.