Paulien Cornelisse: Hallo Aarde

The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.

In her first show Jasperina de Jong sings songs about Sibylle, the last striptease dancer, about a Bach concert with a Woodstock vibe, about a nunnery where everyone gets addicted to mind-altering substances, about a provincial girl who travels to Amsterdam, and many more.

This show is a TV adaptation of Jasperina de Jongs second theater show. The show contains songs about abortion, about revolving flowers, about a man born with inexplicable suicidal tendencies, about the objectification of women and many more.

In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.

Registration of the seventh solo show by the Dutch comedian Pieter Derks.

The Dutch musical comedians Theo Nijland, Maarten van Roozendaal, Jeroen van Merwijk and Kees Torn sing and play a selection of their songs to promote the Dutch theater song.

Registration of the fourth theatre program by the Dutch comedian Claudia de Breij.

Registration of the third theatre program by the Dutch comedian Claudia de Breij. De Breij transforms into a timeless variety star, entertaining the troops in Germany ánd Irak.

TV registration of the second theatre program by the Dutch comedian Claudia de Breij. A show about the Original Sin.

Registration of the theatre program by the Dutch cabaret group Cabaret Nar, with Youp van 't Hek, Aletta de Nes and Hans van Gelder.

Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.

After five theatre programs, the comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten performed one more time with an anthology from their previous programs.

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.

Michael van Peel: Van Peel Overleeft 2013

Alex Agnew: The Legend Ends

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Bert Visscher: Afijn

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

The Dutch comedian Hans Sibbel ('Lebbis') tackles some of the more absurd aspects of our capitalist world and the importance of finding truly meaningful experiences.

Hans Teeuwen: Echte Rancune