Like a Dog or a Boat, you tether it

To really understand China, you have to get to know its people! Winston "SerpentZA" Sterzel travels across China’s first tier cities – Beijing, Shanghai, Guangzhou and Shenzhen – meeting the cities’ most fascinating people, including a racy nude photographer, a mosquito breeding scientist and a DIY maker challenging gender and tech stereotypes.

Tres Perros Para Una Salchicha

On a film reel electrified by static charges, we meet five people who survived the impact of lightning.

All across the globe, Chinatowns are under threat of disappearing – and along with them, the rich history of a community who fought from the margins for a place to belong. Big Fight in Little Chinatown documents the collective fight to save Chinatowns across North America.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.

A love story between a Jamaican immigrant and his wife that turns bittersweet when the search for the American dream goes awry.

Zoe McIntosh introduces us to Peter One, King of Caravans, and his realm, the Bignell Street Motel Caravan Park in Whanganui. Bignell Street has a reputation for being a place of last resort for the down and out, where people with nowhere else to go can always find a caravan roof for their heads. A social butterfly and a self-admitted garage sale addict, motel manager Peter says he acts as a de facto social worker to the weird and wonderful itinerant inhabitants of his trailer park, although some claim he’s just as strange and desperate as they are. - NZIFF 2013

Ich glaub, ich mach nicht mal Filme, ich glaub, ich filme nur irgendwas, um irgendwem zu beweisen, dass ich eine Person bin

A series of static shots repeated throughout the seasons slices and builds an anonymous forest with a river winding through it. Using remarkably precise sound, this film immerses us in a place with fauna that flourishes and flora that expresses itself through interactions with the elements. Eventually, a discrete human presence is felt within this natural setting, and the filmed landscapes gradually change before our eyes, alluding to a higher power that could upset the balance. With this carefully constructed, surprising and minimalist film, Robert Morin blurs boundaries and reminds us that reality is always fabricated in cinema.

Dario and Maria are a young couple who share a mutual fascination for the dead and the macabre and nothing can stop them. The couple’s dreams will finally come true when he decides to make a special gift to his girlfriend…

Amateur detective Diego "Sherlock" Hernandez tries to help his brother's friend, only to find a mob connection. Diego tries to use his influence over his close friend to help the troubled Cortez Family. Can he make the right choice to help, or will he make things worse?

The Myth of the Black Woman is a feature-length documentary that examines the imagery of black women in the media, from the 18th century black slave to Michelle Obama. It is an investigation into how stereotypes originate from slavery and still affect the lives of black women in Quebec. These stereotypes include Jezebel (the seductress, the femme fatale); Mammie (the obese woman, the asexual mother figure) and Sapphire (the angry, ambitious and arrogant black woman). This story will be told by black women on whom stereotypes have a high impact, through interviews with fascinating experts, and through archival footage from centuries past to the present.

Correspondance

Under the cover of night, skaters claim back the streets.

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.

After their friend takes his own life, two young Scottish men scramble to cover up the suicide and keep the truth about the incident from coming out, with devastating consequences.

The short documentary/experimental film is depicting intimate perspective, a surreal reflection of death and life through the rarely captured moment of the funeral of a deceased relative in the flare of poetic lenses. The film is a farewell to the vanishing world of the traditional Ruthenian community in the hills of eastern Slovakia. Metaphorically, a farewell to the personal worlds which are fading with the death of each of our ancestors. Visually highly subjective, dream-like black and white imagery brings the audience into the world of memory and inter-looping past and present.

As he grieves his father’s recent death, Kevin Rainha searches for answers within the traces left by José and the family members who surround him. An intimate portrait, Tio Kevin explores the support between a niece and uncle, a director and their subject. The film follows their return to the family cottage for the first time since José’s death, a place which holds the foundations of many family memories.

Based on diaries that detail 30 years of service abroad of a Canadian Immigration Officer, The Dependents is an intimate audiovisual exploration of transient lives. It navigates through travel, my father’s employment, and my mother’s role as a spouse. Home and belonging are reconstructed between the past and present as a direct result of displacement and globalization, marking the political complexities between East and West, North and South, and Men and Women.