A middle-aged man returns to a fictional country in the Balkans to make a documentary about his father, a well-known artist. The son’s own artistic endeavours have never received attention to the level he feels they deserve. Consequently he has struggled to find a meaningful place in society and his personal life is chaos.
A man eats breakfast during the COVID-19 pandemic.
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
An actress spends all night submitting audition videos.
A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.
Using both found footage and her own material, Nina Fonoroff recollects the memory of her father. Constructing and deconstructing a portrait, she weaves family and friends’ remembrances with an inquiry into her own work process. Her searching attitude suggests that with the loss of her father came a question of the role, not of a particular father, but the father figure—a refusal of authority, and an appreciation of her father’s cycles of learning, teaching, learning. As Danny Kaye, playing Hans Christian Andersen, tells a group of children the story of the piece of chalk that saw itself as a the source, not the transmitter of knowledge, one senses Fonoroff’s sorrow at the loss inherent in the film image, and a yearning for the source of the image, not just its projection.
Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.
When her granddaughter goes missing, Jane (Jeff Award-winner Janet Ulrich Brooks) hires a small team to investigate. As more creators disappear, Shannon (Shannon Leigh Webber) and her friends desperately search for answers, confronting their own dark secrets along with an evil force.
Sophia Hapgood is thrust into a horrifying world after her brother James brings her into a fatal situation. He passes a demon to her that she must spread to others within 6 days or else they both die. Sophia must make a choice to save her brother or find a way to end the curse.
Spin-off short story of the "Senritsu Kaiki File Kowasugi!" series, which is set after FILE-06.
Three friend's video documented holidays in Stockholm of "Party, Drugs and Swedish Girls" get interrupted by a serial killer.
Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.
The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.
Alex and José, is a 16mm single channel projection that explores gender, movement and form.
A silent film portraying winter across three continents.
The PSA Project is a series of 15 videos that speak out against the U.S. occupation of Iraq and the act of war.
Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.
A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.
A film editor who must save his film crew from a mysterious cult by following the group's conditions, namely completing their own filmmaking. But he did not know that the cult he was facing was a terrifying cult that he could not trust.
Solidão no Fundo da Agulha