The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.
A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.
Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.
This feature length documentary tells the story of 1970's punk band The Gears - in their own words.
Charles Watson and Rebecca Taylor are Slow Club. After four well-received albums and 10 years of touring, conflicting perspectives on success and Slow Club’s future have pushed the two apart. Could this be the end of the Sheffield-based indie band and the two musicians’ longstanding friendship? If so, what will the future look like when they leave something behind that has defined their lives for over a decade? And why can it sometimes be so difficult to simply enjoy doing what so many would-be musicians dream of? A remarkable, bittersweet portrait of what may have been the band’s final tour, filmmaker Piers Dennis joined Charles and Rebecca on the road, capturing the frailties and brilliance of their musical partnership and documenting what friendship looks like from the back of a bus.
The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Originally aired as part of the Arena series, this BBC biography of Poly Styrene of X-Ray Spex. She is one of the first black women singer-songwriters in the early New Wave/Punk scene.
Considering that Roxette is one of Scandinavia's most successful acts ever, it's about time a documentary on their phenomenal career sees the light of day. And considering that the group played in front of 1.5 million people in 46 countries during their sensational comeback tour 2011-2012, it's about time for a concert film that shows where this magnificently rejuvenated group stands today.
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
"Collective Unconsciousness: The Not Dead Yet Story" explores the annual Not Dead Yet festival that takes place in Toronto. This documentary dives into what makes the festival great and the impact it makes on the city's hardcore/punk scene. "Collective Unconsciousness: The Not Dead Yet Story" also features performances from bands that played in 2015, shot up close to give the viewer the feel that they are there. Features performances by S.H.I.T., V.C.R., Power Trip, Title Fight, Career Suicide and more alongside interviews with members of Dress Code, Title Fight, I.C.E. and more.
The first-ever DVD to feature one of the great New-Wave acts of the late 1970s, The Fleshtones. For over 30 years, the band has recorded and toured playing around the world to their ever-loyal fanbase and is still going as strong as ever. Live At The Hurrah Club features a full-length performance from the band at New York's legendary venue from the early 1980 s bonus material that comes from a performance at the NY Rocker Party event.
A story of five Finnish youth growing up during the devastating '90s recession. They live in the small timber industrial town of Heinola. As the parents of these young teens struggle through hard economic times, the five very different youths meet by coincidence to form the punk band Apulanta.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
Force Attack 2009
Good Charlotte - The Video Collection : Little Things, The Motivation Proclamation, Festival Song, Lifestyle of The Rich & Famous, The Anthem, Girls & Boys, The Young & The Hopeless Special Bonus Features: Discography, GC Evolution (Photo Gallery), Trial TV, The Click
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
A full-length concert film of the band "Riversleem" that captures their live debut at Amigos Cantina in Saskatoon, Saskatchewan on September 25th, 2021.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'