MyAlbum : A Rough-Demo Video

This film is a look at the disappearance of religious and industrial cultures in a small town (Scardovari) located in northern Italy (Po Delta). This erasure, together with the economic situation, pushes the men and women to return to the water to survive. The image as a representation of the memory of a place, of an inner landscape, of a mystery. A narrative that belongs to the world of exegesis, to an infinite world of relationships, of networks where each image enters into correspondence with another, opening up the meaning ever more and breaking the unity of history.

A mysterious light appeared in the city and quickly disappeared.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A generous and lyrical continuation of Lebanese artist Marwa Arsanios’ interest in the ties between ecology, feminism, and collective organization, this documentary showcases the radical politics of a Lebanese farming cooperative and the citizens of Jinwar, a women-only village in the north of Syria.

As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

Time to Remove Superman It is fragmentarily a story of death and it can also be connected to the opposite - birth. When I did research for this work, what was really interesting was an article read that 'We came from dirt and we go back to dirt' is everywhere in all religions and philosophies of all cultures. And I found that sentence and thought over different things and I reached it was meant to be only that way. Regardless of primitive or modern society, religions or philosophies couldn't help but think human body is rotten away and it is cremated and made dirt. We know the process but we haven't seen that. I thought it would be meaningful if I made that out to show. We've watched a mummy disappearing in a movie using CG but I thought I could visually display a message that things we cherished or in which knowledge was contained were made dirt or on the other way, they had been dirt before they came to us.

This is a film about how war settles in the bodies of the people who are forced to experience it directly. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.

Turner Prize–winning artist-filmmaker Charlotte Prodger deftly blends the scientific with the diaristic, as the hunt for a rare maned lioness structures a personal reflection on queer desire and mobility.

Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.

A former professional boxer, tells us about the biggest battle he had to fight... Life.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

From the coast of the Atlantic to that of the Mediterranean, the director meets women whose faces recount ruined hopes. Grief finds an element of painful meditation in the movement of the waves.

Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.

A location tour of the Rocky filming locations in Philadelphia.

In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.

One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Shot on 16mm and featuring a soundtrack by Toshiya Tsunoda, Luke Fowler's film pays tribute to the French master’s impressionistic approach to light and nature (notably his Mont Sainte-Victoire series) through his own resplendant glimpses of landscapes and people in Southern France.

This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.

In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.