This DVD contains a filmed rehearsal of Frank Zappa and the Mothers of Invention at the legendary Beat Club in Bremen, Germany, on 6th October 1968. The music is largely one long improvisatory continuous performance rather than a run-through of their greatest hits, but is punctuated by Zappa directing the band to play the opening themes of some of his more well-known pieces.
Schauburg Mon Amour
This James A. FitzPatrick Traveltalks short visits the West German cities of Hamburg, Bremen, Munich, and Heidelberg. Included are scenes of World War II destruction that lingered at the time.
Films can be Friends
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.
Four farm animals, a donkey, a dog, a cat and a rooster, leave their home to become musicians in Bremen. Based on the tale of the Brothers Grimm.
Maja Witt and Klaus Burck have been a well-rehearsed team for years, ensuring law and order as police officers in Bremen. At least that's what they try to do. Time and again, however, they are shown their limits. Criminals are set free again, and they themselves get no respect at all. When the arrogant teenager Ahmed Issa spits at Klaus during a mission, this finally goes too far: the two fight back and start to take the law into their own hands, using any means necessary. But the other side is not standing idly by...
Four aging animals, a dog, a cat, a donkey and a rooster escape from their former homes because they weren't as productive and useful for their owners as they used to be. To avoid death, they all move out on a musical journey to Bremen to find a better life.
Frank Lehmann, 20, still lives with his parents in the dreary high-rise housing project "Neue Vahr" in Bremen. It's the year 1980 and Frank gets drafted to the army even though his friends assure him that "he's not really the guy for it". When he gets back home, after his first week at the army, his Dad has turned his room into a TV repair shop, so Frank has to move out. Luckily his old friend Martin is starting a commune with two other Punks in Bremens leftist borough "Viertel". Frank, without further ado rents the unlivable walk-through room. From now on Frank is a traveler between the Worlds. Each week he goes from the Army, with all the unconditional rules and regulations to the commune where his friends are preaching the world revolution. Frank is trying to avoid to stick out, but fails miserably, in both worlds.
Pasta Mista
"Is this all there is to life?" thought the donkey, who was working as a tourist attraction for in the "Animal-Adventure-Park ", after his boss kicked him out. And because people again and again told him that his voice sounded lovely, he decided to make a career as a musician and go to Bremen. On his way, he met a dog, whose fate was to spend the rest of his life in the animal asylum, because his old master had died. The dog was a great drummer, so the donkey asked him to come along with him. On their way they met a cock and a cat, who were also living in a desperate situation. Since they too were good musicians, it was only logical that they completed the band. And what nobody ever believed came true. After many adventures, they were finally on stage. Where? Of course in Bremen.
1974 concert on German TV show Musikladen/Beat Club. 1. Jam 2. Contusion 3. Higher Ground 4. Don't You Worry 'Bout A Thing 5. I Can See The Sun In Late December 6. He's Misstra Know-It-All 7. Living For The City 8. Superstition. Stevie Wonder vocals, keyboards / Reggie McBride bass / Mike Sembello lead guitar, keyboards / Ollie E. Brown drums / Marlo Henderson rhythm guitar / Denice Williams, Shirley Brewer & Lani Groves background vocals
An old donkey resolves to break away from the unbearable hardships of working for a fat miller. By and by, he recruits three more unsatisfied animals and convinces them to accompany him on his way to Bremen where they want to become musicians.
Golden hour in the fields and who better for a soundtrack than the Queen of Disco - Sophie Ellis Bextor in her full performance from Kendal Calling 2025! Directed by John Surdevan.
Set against the backdrop of the reconstruction of the Baima villages in Pingwu, the film follows the daily lives of four sisters and their family in the Baima Eri Village. Interwoven with memories from two decades ago, it traces their journey of resilience and renewal amid the sweeping changes of the times. Through their personal stories, the film also reveals the living heritage of the Baima Tibetan culture — its legends, songs, dances, language, and the traditional ritual of Cao Gai — offering a poetic reflection on identity, endurance, and the passage of time.
Utopías y otras especies
Capturing the Electrons documents the life and career of Nobel Prize-winning Hungarian physicist Ferenc Krausz. His research team has generated and measured the first attosecond light pulse and used it for capturing electrons' motion inside atoms, marking the birth of attophysics. In 2023, jointly with Pierre Agostini and Anne L'Huillier, he was awarded the Nobel Prize in Physics.
Since 1964, Tjorven, Båtsman, Uncle Melker, and Malin have lived in the hearts of generation after generation. In this short look back, we follow the journey from the children’s nervous screen tests to life behind the camera on the archipelago island where a TV classic took shape.
“Cinema, Poetry, and Trains in Tîrgu Neamț” might serve as the subtitle for this film, which Copel Moscu composes in a deliberately atomised manner, capturing the rhythm of a small provincial town in late-1980s Romania: cinema as escapism, pouring rain à la George Bacovia, and a vague love story between a woman projectionist and a railwayman come one after the other over the course of this somewhat comical elegy, whose meanings do not achieve the poignant depths of Moscu’s other films.