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It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.

From the music of Uruguayan composer Florencia Di Concilio, English filmmaker Terence Davies does a cinematic reading of his own poem about his late sister, delivered over a single serene shot of the countryside near his home in Essex. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

A musical fairy tale film for children about how important it is to protect the heart from indifference and laziness and reveals a modern problem: in order to change something, you must, first of all, rebuild yourself. In this, the heroes of the fairy tale are helped by a wise, kind Dwarf who fights Rust and Mold who tries to own the thoughts and feelings of children.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

A short film written by Hussain Manawer about 2020 and mental health.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.

The animals decide they must send a representative after the three wise men begin following the star of Bethlehem. Uno, the Lion, arrogantly decides he should be the one to go, and that he does not need any help. Feathers, who brought Jesus's birth to the attention of the animals, insists on traveling with him, and soon he is followed by a beaver, a rabbit, and a turtle.

Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.

Amiran is sold to a brothel by a corrupt cop after her father testifies against him. Many years later, she grows up to be an accomplished poetess and a renowned courtesan, Umrao Jaan.

A nameless protagonist reconciles with his existential dread as he arrives at a lighthouse, a physical manifestation of all that he searched for.As a voice calls him through the wind, the waves and the rocks, he attempts to make peace with himself.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Martin, a nu-jazz trumpet player with a unique style, is fighting against convention and mediocrity. He will not accept any compromise, neither in his music, nor in love. When he gets the feeling that Kristina, the love of his life, only loves him for his musical talents, he is deeply hurt.Disappointed, he bids farewell to both her and his previous life. On the edge of society, he meets an old woman, Hanna, who bequeaths him her pain in the form of poems. Martin is immediately fascinated. Can they guide him back to himself, to Kristina, or to his music?

Eldar Ryazanov reads his poetry. An introspective movie on his multifaceted work.