All day candles

Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?

A documentary covering the 1988 Summer Olympic Games in Seoul.

Project 1 _ Hong Hyung-sook The children who are enthusiastically painting and cutting a doll. What stories will be told at the Square? - Project 10 _ Kim Jeong-geun The janitorial worker from the Busan Subway Station, Kim Young-ja talks about how she hopes to see a clean world, just like how she cleans everywhere in the subway.

An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.

I, a lesbian filmmaker, encounter people yelling at me to disappear from this world. It is a time of hatred in South Korea. LGBTQ people are the easy targets for hatred. In searching for what makes a marginalized life livable, I embark upon a journey. I encounter a double life of Lee Muk, a 70-year-old Korean “Mr. Pants” and precarious lives of a Japanese lesbian couple, Ten and Non, after 3/11. As an ever-growing number of citizens are becoming the targets of 'witch-hunting' in Korea, true faces of the haters slowly begin to unfold.

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Maboul de Séoul

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

August 2011, Seoul station was ‘reborn’ restoring the historical traces it once had. It was named as ‘Cultural Station 284’. To commemorate this very day, an opening exhibition was held, named as ‘COUNTDOWN’. However, among all the fine works of art alongside the exhibition, the best piece of art was not to be found. To be precise, that very piece of art was not available at that time. That work of art needed time to be established. After observing and speculating the abject moments of the restoration process, finally, it was completed.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.

A special documentary produced for the 30th anniversary of the Seoul Olympics, 88/18 looks back at South Korea in the 1980s as the nation raced toward the Games. Through archival footage and reflection, the film examines how the 1988 Seoul Olympics brought profound changes that extended far beyond sport, reshaping Korean society itself.

Kicking off in Seoul in January 2024, ATEEZ’s monumental world tour, TOWARDS THE LIGHT : WILL TO POWER, ignited Japan, North America, Europe, and beyond with unstoppable energy. Now, its breathtaking opening chapter returns, reborn on the big screen. From powerful performances of signature hits like "WONDERLAND (Symphony No.9 “From The Wonderland”)”, "Crazy Form", "Say My Name", and "Guerrilla" to mesmerizing unit and solo stages showcasing each member’s unique color, ATEEZ’s overwhelming energy takes over SCREENX, 4DX, and ULTRA 4DX where available. The voyage towards the light sets sail once again!

Eddie and Jason, two Korean-American brothers get in over their heads when they are called to Korea to make a short film on prostitution and sex-trafficking. Things get complicated when they meet Crystal and Esther, two prostitutes who reveal just how deep the problem goes and set off on a dangerous mission to capture the truth. With the use of hidden cameras and access to pimps, johns, and sex-workers, the filmmakers explore and unravel the complexity of the sex trade in Seoul. They learn that this problem is rooted in issues far deeper than exploited girls and lustful men. Instead, it's a consequence of a culture and government that condones and turns a blind eye to the biggest human injustice of our time.

I made June when I didn’t have any inspiration to create a feature film. The documentary is about the rarely known stories in the social movement in June. At first the clips of videos were kept for sorting out my feelings, but after being edited, they were made into a documentary and became a record of history. Six scenes and voices were used to tell what happened during that month.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

In our 3-year marriage, we have fought on every holiday, on parents' birthdays, during ancestral rituals, and even on Christmas. We argue all the time. The tension between my wife and my mother is killing me.

STEP INTO THE RINK WITH YU-NA KIM AS SHE AIMS TO MAKE HISTORY AS ONE OF THE WORLD'S GREATEST FIGURE SKATERS