One of Many

Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together with his domineering father, he helps smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation and human suffering. Can you avoid becoming a monster when you've been raised by one? Onur Saylak's debut feature, adapted from the award-winning novel of the same title by Hakan Günday, one of the first novels to document the refugee crisis in Europe, "More" is the gripping story of a boy that gets to grow up in a world where there's no room for innocence.

A woman reads the newspaper with such intensity that she gets literally devoured by it. Painted on its pages she witnesses some of the tragic events of our times, drowns in ocean trash and is threatened by the elements unleashed by climate change. Yet in her despair she transforms this darkness into movement and art, so she plants the seeds of hope.

The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.

The arrival of the young teacher Damjan in one village in western Macedonia shakes the usual daily life of its inhabitants who belong to different religions.

Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.

When a Danish family finds themselves on a holiday island, in the midst of the first major refugee crisis in Europe in our time, our northern European, well-intentioned, humanistic values are put to the test.

City council of Prilep, Macedonia, decide to ruin the old part of the town and built new housings there. Unable to stop the demolition, the shoemaker Dimko and other local craftsmen throw an all-night party for the memory of the last day of bazaar.

After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.

In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.

The story of two brothers of different orientation and fate. The drama takes place in an atmosphere of tension and fear, during the conflict of Yugoslav Communist Party with the Stalinism, during the Cominform. Older brother Dragoslav, a returnee from Russia, was unjustly accused of being a Russian spy and subsequently arrested. Younger brother Kosta is not interested in politics, but he's attracted by a brother's wife Vera and underworld mafia. In the end, it turns out that a young woman belongs to the Soviet spy agency.

Following a violent incident, Eissa, a 17-year-old African migrant in Egypt, strives to beat the clock to save his loved ones whatever it takes.

The story of an asylum seeker in England who, when confronted with the hostile immigration system in the UK, is forced to live on the fringes of society and rely on his bike to survive. Based on the lived experience of co-writer Ayman Alhussein.

The story of a famous group of Macedonian terrorists that opposed Ottoman repression at the beginning of 20th century.

In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.

The first Macedonian Movie from 1952- Frosina is one of the many Macedonian wives whose husbands are economic emigrants abroad. Marriage does not bring them a family, only the burden of life itself. After her husband's short visits, she gives birth to children who do not live long because of the poverty into which they have been born. She gives birth to them alone, and she buries them alone. Only her last child, Klime, survives all his various illnesses and grows up to be her one joy in life. The war breaks out...

A day before the earthquake in Skopje, Wily Muller, a German conductor, while passing through the concert meets a young girl Jana, a student from Skopje. After several years they meet again at the "Solidarity Meetings" event, which is held in Skopje, where Wily Muller is a conductor at a concert held on that occasion. Those several days, spent together with the conductor, for Jana mean fulfillment with a kind of reminiscence of her family tragedy experienced during Skopje's earthquake, and also a wondering and search for a way of starting life again, which stopped on the day of the earthquake. Although the possibility of going with Muller is very attractive, Jana stays in Skopje. Her place is beside the young man whom she loves and belongs to, with whom she is related with true love...

The story takes place in March of 1943 during transportations of Jews from Skopje. Nikola is a surgeon who was taken his working license away, and spends evening hours at the local bar where German officers, along with Bulgarian officer Simeonov, play Russian roulette with their gun pointed at prisoner's head. After suicide of one German mayor, Nikola and the prisoner escape.

High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.

A couple decide to open a home for refugees in the remote cold mountains of Norway.

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.