Interstice

Don Lázaro is a former gunslinger that has left behind his years of violence to care for his granddaughter, Beatriz. The child suffers a terminal disease and doesn’t have much hope to live. Lázaro is visited by a former friend for an appointment that will decide Beatriz’ future.

Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.

A woman misses her train and buys lunch in a café. When she returns to her table, a man is eating her salad.

A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.

A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue

In 1960s’ Singapore Chinatown, hard-boiled detective Lee Kian Hock is hired by Mrs Chan to look into her millionaire husband’s extramarital affair. But when he finds Mr Chan murdered in a seedy hotel room and meets his enigmatic daughter, Michelle, a web of lies, intrigue and betrayal begins to unravel as each of the characters pursues their own agendas ruthlessly, in search of love and money.

Two brothers develop a sexual attraction to one another amid the unkind world around them.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

When 15-year-old Violet gets a once-in-a-lifetime opportunity to meet the lead singer of her favourite American band, she decides to make him an offer he can't refuse. Or can he?

A young man is recruited by a secret cult of VIPs to battle the infestation of an ultra-exclusive New York City lounge. As their utopian plans teeter between success and failure, a sycophantic stranger forces them to make the ultimate decision.

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

The setting is on a floating platform where a group of evenly and carefully placed men live. Each man is aware that the platform is not stable and in order not to fall to their deaths, they maintain a careful balance of weight to prevent the platform from tipping too far and cause them all to fall.

Following a shocking on-air disturbance, a curious Stage Manager begins to suspect that something is deeply off about the talk show she works for, and its eccentric host.

Isa’s having a bad shift. The restaurant is packed, there’s new graffiti in the bathroom, and her best friend Earn has just told her he’s picking up shifts at the rival rooftop bar next door. Customers start getting weird, the chefs couldn’t care less, and the strange messages in the bathroom seem to be telling Isa she needs to get out of there. When her manager asks her to get some biodynamic wine from the cupboard upstairs, Isa realises the only way out is up.

In this, her first non acting effort, writer/director Jamie Donahue parodies the 1950's high school educational film.

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

An animated documentary that explores the terrain of father/son relationships, as seen through Canemaker's own turbulent relationship with his father.

While on a publicity tour in Switzerland, Benji, Cindy Smith, and Patsy Garrett convince Kris Kringle that his place on Christmas Eve is delivering presents to all "his" families all over the world.

Being gay-bashed and left in a corn field in rural America takes an unusual turn when one of the bashers returns with remorse and a secret.