The Clarinets

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

Marco is a shy courier instructed to deliver some jewels in a photo studio. Here he meets Giorgio, the photographer: handsome, gay, cheeky.

Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.

In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

Chris Wong takes his French-Canadian boyfriend home for Christmas, despite his traditional Chinese parents' disapproval. With the dramatics of three languages swirling around the table, Pierre tries to make a bond with Chris' parents and find the approval he wants.

Adrian Grenier stars as Sean McAllister, a successful fashion designer who hasn't seen his family in years. He returns to his hometown for a painstaking family reunion that will take him back to his past only to rebuild his future.

In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.

A teenager who has only ever wanted to live a normal existence experiences an extraordinary night that makes her reassess what truly matters.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Long after the end of the world, five strangers sharing an abandoned desert motel are forced to decide between love and survival.

Documentary about four Chinese lesbian women who seek contract marriages with gay men, and form of their lesbian and gay community and fulfill their desires.

Despite having ocean water allergy, Ji-ah go to the beach with her friend Na-young to meet Dong-hae, a boy in love with Ji-ah. After having spent the night at a nearby beach house, Ji-ah finds her retained feelings for Na-young.

As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.

In an Amsterdam gym for queer people, three individuals confront doubts about their belonging. David, often read as straight due to his style and body type, feels undesired and questions if he “counts.” Qianyu, nonbinary, struggles with invisibility as queer nightlife favors cis gay men, and past health issues make joining the gym daunting. Barbara, 67 and bisexual, wonders if she still belongs after past rejection by parts of the lesbian community. Through candid conversations and colourful, sometimes absurd fictional scenes, their insecurities and longing for acceptance are explored. Ultimately, the gym becomes a space of vulnerability, solidarity, and self‑realization, helping them see that they are indeed “queer enough.

Two childhood friends are recruited for a suicide bombing in Tel Aviv

A film about gender dysphoria, trans memory and hair.

Socialite Vita Sackville-West and literary icon Virginia Woolf run in different circles in 1920s London. Despite the odds, the two forge an unconventional affair, set against the backdrop of their own strikingly contemporary marriages.