Karl-Marx-Alle

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Wax and wane until there is naught but boring pain.

"A fine fine example of spaces between existing as objects themselves. A patternistic and memorializing offering to natural totems. Two kinds of reversal at play involving black and white as well as reflection and overlap. These simple elements create a hurried maze of twisting antler branches, twigs, and dissected slices of pure “space.” I can hear the crackling fires, echoing elk calls and frosty despair…" - JT Rogstad, The International Exposition

Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

Deconstructing and reconstructing Cree narrative, this film experiments with language to create a linguistic soundscape.

Morte em pleno verão

In 7 improvisations, clarinet (Bruno Cunha) and guitar (Kino Lopes) are guided by the tendency that noise posseses to induce merging. In an eighth track, Bruno creates an electronic piece with the 7 improvisations as its materials. "The spider has a fly in its head" was filmed and edited by Xavier Braun and recorded by Pedro Menezes in December 2019 at Estalo Studio. Brasília - DF, Brasil

Mais a soma de seus possíveis: parte 1

Mais a soma de seus possíveis: parte 2

Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.

An audio collage of snippets of narration culled from true crime TV shows, juxtaposed against serene Super-8 nature footage.

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.

Experimental 8mm film.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Follows various residents of the Chelsea Hotel in 1966 New York City.