Shedding Skin

After the death of her little boy, Anita wants to take her own life.

Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.

Director Eugenia Gutu offers a feminist critique of gender (in)equality under socialism in this documentary portrait of an industrializing town and its model citizen, Florica S.

Orphaned as an infant, Juan Frances (Spencer John French) is a talented ranchera singer, but he faces a hurdle in his attempt to succeed as a Latin music performer: He's a chubby, red-headed 33-year-old who grew up in a Hispanic home but looks like an Ohio farm boy. As Juan struggles to make ends meet by working eight jobs, his girlfriend (Maria Esquivel) and lizard-smooth promoter (David Franco) plot an aggressive image change for Juan.

Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven't they survived? April Wright's lovingly made documentary, filled with archival images of hundreds of open and closed drive-in theaters, interviews with theater owners, operators and cinema luminaries attempts to answer that question.

Field recordings of religious services in a South Carolina Gullah community. Commandment Keeper Church, Beaufort South Carolina, May 1940 is a 1940 short documentary film which shows religious services taking place in a South Carolina Gullah community. In 2005, Commandment Keeper Church was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.

In 2195, women rule the world and men dream of getting married.

Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.

Through the prism of a beauty pageant staged by female inmates of a Siberian prison camp emerges a complex narrative of the lives of the first generation of women to come of age in Post-Soviet Russia. Miss GULAG explores the individual destinies of three women: Yulia, Tatiana, and Natasha, all bound together by long prison sentences and circumstances that have made them the vigilantes of their own destinies. For these women, undoubtedly, life is harsh under the constant surveillance of UF-91/9, but it is no less so on the outside. Today they, their families, and loved ones are sustained by hope for a better life upon release. This is a story of survival told from both sides of the fence.

A woman battles to survive alone in a post-apocalyptic London wasteland.

The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?

France, 1963. Anne is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.

With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.

Animation feature ostensibly about the adventures and romance of two Interpol agents, called upon to investigate a sensational art theft. At the same time, the film pokes fun at the contemporary art world - in particular Joseph Beuys's statement that 'everybody is an artist'.

Romania. Seven years in the life of a family of believers, struck by the illness of a little girl suffering from spina bifida pass before the camera, with a polluted town scarred by unemployment serving as a background.

August 1st in Zurich. An unbearably hot day. While many are celebrating the Swiss national holiday, five individual fates take their course: 1. As a symbol against capitalism in Switzerland, Vinc is planning an attack in the city centre. 2. Tibetan descendent Sonam is struggling to settle into her new job as a police officer – worse still, she makes a major mistake during her first operation. 3. Hunter Edi’s status quo is unbalanced when a financial predicament puts his morals to the test. 4. Young Ukrainian Sonja arrives in Zurich full of hope to surprise the love of her life – but she is in for an even bigger surprise. 5. Chilean Javier no longer feels at home in Switzerland and decides to return – with his daughter, but without her mother’s knowledge – to his motherland.

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.