The Meet-Cute

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

Not long ago, Petr was a celebrated and highly paid footballer, a national team player, captain of the most famous club in the country. But those days are gone. Now Petr is trying to restart his career at a small regional club and get his life in order. But his biggest rivals are no longer his opponents on the football field, but himself.

The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.

Supermarket Sweep

Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….

A sensationalist television show unravels the sordid story of Luciano Fernández and analyzes the possible motives that led him to murder a child. (Inspired by a real event that occurred in the forest of Verrières, Paris, on May 27th, 1964.)

Los opositores

A masseuse's journey to find the human touch.

One of his first and the most famous undergrad shorts, which seems to forshadow the director's death. A prize winner at a film festival in Oberhausen, it does not bear any great resemblance to Wiszniewski's later films.It attempts to illustrate the subjective states of a character through expressionistic photography, hardcore jazz and associative editing.

A film about the complicated friendship of three adolescent girls, two swimming pools, and one malicious act of revenge.

One chance encounter and a night spent together help Magda to discover what she probably doesn't need to live anymore and what she might need.

When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.

Trapped in a nomadic world that makes less and less sense, Eliška yearns for a safer and more stable life for herself and her little brother Aleš. As illegitimate repo men begin frequenting their home, Eliška’s uncertainty about her and her brother’s future reaches a crescendo and she is forced to take action to protect Aleš from this shady and dangerous life.

Andi shares a deserted building with a group of fellow-squatters he considers his family. One day his sister turns up unexpectedly with her small son Levi, seeking refuge from her abusive boyfriend; she has nowhere else to turn. So Andi suddenly finds himself in the role of uncle, the squat is transformed into an alternative kindergarten, and the estranged pair become the siblings they once were.

The mother of ten-year-old Martina turns up late, just when the little girl is about to give up hope they might spend the afternoon together. As they have an amazing chemistry, she really wants to have her mum to herself, but all too soon she realises that her mother has not beaten her drug addiction and Martina finds herself in a hard situation yet again...

Libuše and her husband Jaromír have been together for a long time, perhaps too long. It seems their lives have become mired in a vicious circle of enervation, which neither of them wants to admit. The couple might have spent the rest of their days like this were it not for the arrival of a motivational package from an agency called The Sun…

Teresa is suffering from postnatal depression after the birth of her son. In an effort to find comfort elsewhere she temporarily moves back with her husband to her parents’ house. However, the young woman’s family home conjures up memories of a previous relationship and a past love that perhaps has yet to be extinguished.

When his business partner retires, an overly-attentive cafe owner, embraces the challenge of working solo.