Hudební jaro
When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.
Anna Netrebko und Rolando Villazón singen "La Traviata"
Leonard Bernstein conducts Stravinsky & Bach
Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.
L. van Beethoven Symfonie d moll
The French orchestra Les Siecles is spoken of exclusively in superlatives. Critics, but above all listeners, highly appreciate the perfect ensemble playing of all sections of the orchestra, the clear range of dynamic differences, and rhythmic precision. Similarly, the conductor and founder of the ensemble, the charismatic François-Xavier Roth, is also highly regarded for his energetic musicality, clear gestures, and understanding of the genre he interprets. They came to Prague for the Prague Spring 2022 festival with pianist Bertrand Chamaya and a purely French repertoire. They performed works by César Franck and Claude Debussy and completely captivated the audience in the Dvořák Hall of the Rudolfinum. Les Siecles is sure to win you over as well.
B. Britten's famous opera, which became a major theatrical event in its production by the National Theater Brno... The story of the opera Peter Grimes is as harsh and stormy as the landscape in which it takes place. A boy dies in a fishing village on the North Sea coast. Fisherman Peter Grimes is suspected of his murder. Although he is acquitted by the court, the locals have their own opinion and make it known. Social outcasts and the sea are the thematic pillars of this tragic opera, in which the staunch pacifist and humanist Benjamin Britten sides with all those who deviate from the norms of mainstream society. Although Benjamin Britten's work forms a fundamental part of contemporary opera production and he is the most frequently staged composer of the 20th century worldwide, in the Czech Republic we rarely have the opportunity to encounter his work. His most famous opera, Peter Grimes, from 1945, had its Czechoslovak premiere two years later at the National Theater in Brno.
Performed by pianist Kirill Gerstein and the Czech Philharmonic Orchestra, conducted by Tomáš Netopil, the concert will feature compositions by Smetana, Rachmaninoff, and Dvořák. Due to the renovation of Litomyšl Castle, the concert will take place in the Festival Hall, which was nominated for the European Union Prize for Contemporary Architecture – Mies van der Rohe Award in 2007.
Brahms, Ein deutsches Requiem op.45
Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.
Midori spielt Brahms' Violinkonzert
The wait is over! After two long years, Maestro André Rieu is performing again in his hometown of Maastricht! We are proud to present André's brand new summer concert - Happy Days are Here Again!
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
DVD-01. The Look Of Love DVD-02. I'll Never Fall In Love Again DVD-03. Love Is Still The Answer DVD-04. A House Is Not A Home DVD-05. Stronger Than Before DVD-06. Don't Make Me Over DVD-07. This House Is Empty Now DVD-08. Walk On By DVD-09. (They Long To Be) Close To You DVD-10. Anyone Who Had A Heart DVD-11. Any Day Now DVD-12. Who'll Speak For Love DVD-13. Waiting For Charlie (To Come Home) DVD-14. Do You Know The Way To San Jose? DVD-15. This Girl's In Love DVD-16. God Give Me Strength DVD-17. Alfie DVD-18. Falling Out Of Love DVD-19. What The World Needs Now DVD-20. That's What Friends Are For DVD-21. I Say A Little Prayer
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.
The story of Andre Rieu's first journey to Africa, the discovery of soloist Kimmi Skota and the sheer emotional impact of the concerts on the South African audiences.
Live performance of Johann Sebastian Bach's Magnificat, BWV 243 from Herbert von Karajan's New Year's Eve concert in 1984.