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Norwegian short film about a carpenter trading places with Santa Claus on Christmas Eve.

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

Vol

Phineas and Ferb team up with the Avengers to save the world from Dr. Doofenshmirtz and a group of dangerous supervillains.

Tailor is a transgender cartoonist that shares in his web page other trans people’s experiences and their challenges in society. Film about transgender, made by transgender crew.

A spoof of disaster films, an asteroid is coming towards earth and Harry Bottoms is in charge of saving us all...again...

Calling a helpline sometimes causes more problems than it solves. This witty experimental animation shows a person calling a helpline after not noticing porn on the internet. Solo-production by visual Artist Joli(e).

PRIMAVERA is a three dimensional film featuring puppets that work in the so called telescope system which tries with the help of stylised images to visually depict the great variety existing in nature, the food chain and variations in the reproduction of different living organisms. The entire film is seen through the eyes of a butterfly larva.

A small curious bird tries to impress a new friend.

A blue cat named Buxton is found in the Magic Garden. With help from the Blue voice (played by Fenella Fielding), Buxton enters the ruins of the old treacle factory where he is crowned king after correctly identifying the colours of seven doors (coloured different shades of blue). Buxton throws all the characters of The Magic Roundabout except Dougal into prison and steals Zebedee's magic moustache.

Sarcastic inversion of the ‘beautiful couple in love’ archetype. The ’40. Two people isolated from the rest for their physical appearance, meet in a cinema. A dark solidarity born between them leads to a relationship based on the denial of their ugliness.

Yuck. Couples kissing on the mouth are gross. And the worst is, you can't miss them: when people are about to kiss, their lips become all pink and shiny. Little Léo laughs at them, just like all the kids at the summer camp. But he has a secret he won't tell his friends: his own mouth has actually begun glistening. And, in reality, Léo desperately wants to give kissing a try.

A spoof of "Tom and Jerry" cartoons.

A couple's relationship develops in a combination of photomontage and animation.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

Lawrence Jordan used forty-six engraved Gustave Doré illustrations from "Idylls of the King" as settings for his extravagantly romantic saga. As Enid, the protagonist, is seen in a vast array of scenes from deep forests to castle keeps. Her champion is sometimes with her, sometimes away fighting archetypal foes. Backed by Mahler, Jordan explores themes of love, death and resurrection.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

A mere sight of a gray wolf terrifies the entire village. There’s just one little girl who can empathize with the wolf and even make friends with him.