banksi unbrush ponitaeyel

Thanks to you, the fans, Mr Bean is back to receive his DIAMOND PLAY BUTTON in this special animated episode!

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

A short film that only uses photos and intertitles, this visual scenario depicts the sky as the sun sets. Picture yourself as the sunset leads into night.

A crowd moving in one direction.People who flow in a moment. A scene where the difference with other people disappears and looks uniform. There are many different kinds of life there. You can feel invisible energy when you see a large mass of individuals. I set myself in the streets of Taiwan, and I multilayered a lot of time to create a new timeline that reflects individuals.

Made in less than 5 hours, shooting on an iphone is fun & efficient. It's great to explore and try new concepts through shorts like this, thanks for watching!

"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.

Mark Ronson is the music producer who redefined popular music; from his Grammy-award-winning collaborations with Amy Winehouse and Bruno Mars, to his recent work on the Oscar-winning film A Star Is Born. This documentary follows Mark’s creative process, from the studio to DJ’ing and shooting film; with exclusive insights from the man himself. This is combined with archive footage alongside new interviews with the artists and collaborators that Mark has worked with, including Q-Tip, Bradley Cooper and Lady Gaga.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison. Chirp-1 / Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.

Video art by Vibeke Sorensen made at Calarts in 1989

A young lad is recruited by a creepy bird guy to fight demon ghosts.

With all the gloves at his disposal and LaRusso finally dead, White Glove has everything he needs to finally live out his plans to conquer the galaxy.

A young anonymous office worker in the heart of an unnamed North American megacity takes us through a few fleeting days in her life.

NAO_VA_EMBORA.mp4

Live performance with 16mm projectors. This is a simulation of a prototype for a “feeling machine” envisioned by Dr. D. Forme in 1917. This simulation is based on a short description and diagram found in the doctor’s notebooks. The description focuses on only one section of the machine. Brief mentions of the other sections were included but no detailed information was discovered. The machine was never built, yet according to the description its purpose was “to replace the faulty mechanism of human emotion”.

In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen. The images generated in the tape act according to specific parameters set by the artist. Sandin has stated "The analog Image Processor was programmed to implement the logic equations; if square, if triangle and circle show circle." In this tape, Sandin is in effect arguing for a distinct video vocabulary that replaces the classical concept of perspective. This tape was produced at the University of Illinois Chicago.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Experimental animation by Nicholas Nedelkopoulos

"Delineations" is an experimental short film highlighting Long Island, New York. Made using satellite images from Google Earth, the film explores nostalgia, growth, and confinement.

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.