HIGH

On a hot summer morning, Arnau accompanies his mother to her workplace, a luxury house. There Arnau meets Javier for whom he has an instant crush. Thinking he has no chance, Arnau brushes it off and believes that he will never see him again. But it's not like that.

Coraline has grown tired of her routine and feels stuck in her day-to-day life. For this reason, she decides to find a way to escape it.

Ex-wife Lena Malena wants her alimony, but Taylor Holmes pleads poverty. So she moves in on him and current wife Natalie Moorhead.

When winter comes, it is hard for those who try to escape from the colds alone, relying only on themselves. The heroes of one of the most famous folk tales come to this conclusion. The tale became the literary basis of the film. The age-old folk wisdom is embodied here in a simple story.

An ingenious, witty essay on making filmed, photographed, drawn, painted, and Xeroxed images move. Reverberating between multi-media versions of the same events, playing with disjunctions between figure and ground, HEAD is a 'trickfilm' meditation on portraiture; the animator, as actor, lives through his drawings, which in turn become actors who influence his own self-image. An insider's diary on the process of creation, HEAD is a brilliant encyclopedic exploration of the circular relationship between the animator and his creation, of the nature of animated illusion itself.

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

A young Asian American man struggles for both personal happiness and the love of his mother.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.

Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

Two guys in their early twenties, a hitchhiking Dutch student and a Swedish police officer with a broken police car, meet each other on a Swedish country road. On their way to the gas station, their suspicious understanding gradually changes.

One of the Three Kings and Santa Claus spend Christmas in jail, talking about what their future will be like in a world like this.

A lovelorn man is entranced by a beautiful girl who takes a ladybug from his neck.

The movie deals with the trials and tribulations of multiple disconnected characters trying to find meaning in the spiritual and super natural experiences they have. The intertwining story threads include a baker (Kunchako) going to meet his pregnant wife (Bhama), a moneylender (Manoj K Jayan) with an imaginary friend (Saiju Kurup), an atheist policeman (Kalabhavan Mani) who is unfaithful to his wife, an old man (Janardhanan) whose daughter (Anju Aravind) gets into a road accident, a photographer (Joy Mathew) and a college girl (Sarayu) trying to prank her room mates.

Two women, two generations, same trauma. One has been silent for over thirty years, the other 'only' for a year and a half. Where one decides to remain silent after a confrontation, the other finds the courage to break the silence.

Fouinard is Happy.

In the future, technology may change, but the patterns and routines of daily life stay constant, until we disrupt them. A short animation by Matthias Hoegg.