How I Killed My Brother

Mazel Brouk

A short film about love, told backwards.

Mike, a young hired hand in California is working a small farm with a close friend, Dan. Mike is content on the farm and obviously attracted to the handsome Dan. Dan seems to be attracted to Mike as well but is a drifter and not happy as a farmer. He longs to finish out the contract and move on to a big city, perhaps with Mike. Gary, a boy from the next farm over, befriends them during their daily chores. When an innocent session of skinny-dipping is misconstrued, the young hired hands soon find themselves unjustly suspected of wrongdoing in a suddenly hostile small town.

A psychiatry student gets on a tram that delivers him twenty-five years into the future, where an unexpected encounter awaits him.

Professional forger Bill Butters realizes one day that the police are closing in on him, and convinces his daughter Peggy to flee.

A duo of street performers learns how sound and picture work together to create amazing cinema experiences.

Jūzō Itami's debut short film, concerning a group of unique young people in the high economic growth period who are into games with rubber band pistols.

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The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.

One night, a supernatural figure emerges from the darkness to find a human who is grieving the death of his mother. As the figure watches closely, it soon discovers the value of human love and its strength to bring people together.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

A woman on a journey through a crowd grapples with private and public revelation, repulsion, fear, personal safety, and the desire for basic human interaction.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

A husband and wife struggle to keep their marriage alive until they realize they are both secretly working as assassins. Now, their respective assignments require them to kill each other.

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Samuel is ten years old and is madly in love with Lucía, who is twelve years old and has a master plan to get rid of the only obstacle left in her life to get what she wants: to be a writer, film critic, and rich.

In a corporate world void of human interaction, Ennis has lost her ability to relate to others. When the company fires her and forces her into a crowded tenement building, Ennis must overcome her fear of human connection to begin again.