JLG\PG

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.

A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.

By the time "It's A Mean Old World" was filmed, Reverend Pearly Brown had been struggling to survive singing gospel music for nearly 40 years. While the rough sound of his bottleneck playing has the feel of a life spent scuffling on the street, the poignancy of his voice is a better measure of the gentle spirit and inner strength of the man.

The story of the settlement of Irish immigrants in the North Bronx, New York, and how the once predominantly Irish neighborhoods are changing because of the influx of other groups.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

Cinema has long fed our fascination with other cultures, and appears to be just one facet of what is a fundamentally visual fascination. One of the most elaborate manifestations of this was the 1931 Exposition Coloniale Internationale, held in Paris to celebrate ‘la France des 5 continents’. This exhibition sought to represent to the people of France their colonial world by reordering and reconstructing it into scenes or tableaux of everyday indigenous life. This entailed shipping over scores of indigènes and forcing them to act out the gestures of their ‘everyday lives’ under the eyes of 1930’s Parisian society. A slightly less elaborate, although equally controversial at the time, visual representation of The Other was one of the first film documentaries to be made which sought to represent the lives of a colonised people, Marc Allégret’s Voyage au Congo.

A eulogy to the greatest institution in Irish society, the pub, or more specifically the traditional Irish publicans who run them. Speaking to pub owners all over Ireland, Alex Fegan gets into the heart of what makes "the Irish pub" the institution that it is.

Terra Mater: Der Plattensee - Ungarns Wasserwildnis

In rural Nepal, Bishnumaya Gurung, 48 and Palhamu Sherpa, 66 go to primary school everyday and make space for learning in their lives as single women.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

The documentary film created by the famous Russian scientist and poet Alexander Gorodnitsky, Belarusian director Yury Khashchevatsky, German journalist Natalia Kasperovich and German cameraman Semen Fridland.

Leonard Stöckel

This true-crime documentary film features Rosa Peral's first interview from prison since she was convicted of murdering her partner aided by an ex-lover.

After former members of the Chelyabinsk Feminist Organization (Agitgroup), now known as the Ural Feminist Initiative, began to receive threats from the Union of Maoists of the Urals, the Yekaterinburg “Feminist Tribune” teamed up with the Chelyabinsk feminist community “A Woman Can!” to show what UFI and UMU so desperately want to hide.

Dr. Barbara Staggers, winner of the San Francisco Foundation 2004 Community Leadership Awards (San Francisco Foundation Award) - for her dedication to improving adolescent healthcare through community- and school-based care, for promoting teen health among communities of color nationally, and for serving as an outstanding role model for youth pursuing careers in healthcare.

Puente de la Costa Sur, winner of the San Francisco Foundation 2004 Community Leadership Awards (John R. May Award) - for its creative, grassroots efforts to provide education, social justice advocacy, direct services, and community connections enabling immigrant men in rural San Mateo County to improve their living and working conditions

Honorable Ronald V. Dellums, winner of the San Francisco Foundation 2005 Community Leadership Awards (Robert C. Kirkwood Award) - for his decades of courage, leadership, and vision in championing peace, justice, diversity, and economic equality, both locally and globally, and for his impact in moving the AIDS pandemic and its solutions to the top of the global agenda.

Zakarya Diouf, winner of the San Francisco Foundation 2005 Community Leadership Awards (Helen Crocker Russell Award) - for his vision in unifying the African cultural arts community, for serving as a mentor and educator of young artists, and for his artistic contributions to the development of African-based performing arts.