A sensuous, celebrating smell, touch, color, skin, poetry, painting, sex, and home decorating; to the point of decadence. A man, tired of the debauched and decadent world in which he has lived becomes a recluse, and aims to create his own universe within his home. What starts as a celebration of 'nature', however, becomes a personal disaster as he turns far away from the world.
Ballet is a difficult task, Eva discovers it at the moment when a superior ballerina puts her to the test.
A look behind the scenes with ‘TOMORROW x TOGETHER’ & ‘ENHYPEN’, two HYBE artists, as they prepare for their first joint performance.
Jamilah has her whole life figured out. She's the president of her black sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She's got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah's dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
Coast Zone […] explores the use of deep-focus, contrasting background figures (often in motion) with those in the foreground (sometimes in extreme close-up). Shot in January 1983, the first screenings at Dean Junior College in Franklin, MA, 7 April 1984; Merce Cunningham Studio, Westbeth in New York, NY, 16 April 1984. (via mercecunningham.org)
Atlas' 2013 film Exchange is based on the 1978 dance piece of the same name by legendary dancer/choreographer Merce Cunningham. Atlas created the newly completed film from never-before-seen footage that he shot in 1978 and that was only recently rediscovered by the Merce Cunningham Trust (MCT). The film captures a performance of Exchange by Cunningham and his company, with costumes and backdrop designed by Jasper Johns and music by David Tudor.
Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."
After the death of Raya Green's sister, she gets out from her classes at school, and sees a stomp crew practicing. She meets Bishop which is the dance crew leader. She then meets Michelle and does a stomp battle with her. They become enemies then friends later on. Her uptight mom pushes her to pass the test to get into Medical school, but she thinks she failed....
Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.
Inspired by the wind in the grass, the song of birds, the tapestry of the forest, two bodies of water and natural erosion, two dancers and a filmmaker explore the beauty of the Memramcook valley.
On the last night of their cross-country road trip, two friends from college negotiate the terms and consequences of their potential hookup.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
George Kuffs didn't finish high-school, just lost his job, and his college-age girlfriend is pregnant. To top it off, George's brother Brad is killed and George inherits Brad's "patrol special" privatized police district and all the problems that come with it.
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers - and their moves - two warring friends have to pull together to represent the street. Starring hip-hop sensations Marques Houston, Omari Grandberry, Lil' Kim and comedian Steve Harvey.
When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).
(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).