Love & Fascism In The 21st Century

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

The film explores the mental time and space of one character, a girl, who lives in a lane in a suburb of a city (Mumbai).

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Two men share an odd friendship while they care for two women who are both in deep comas.

When high-powered executive Samantha LeBon hatches a scheme to spend a romantic Christmas with her new employee – the unsuspecting, blithesome James – his wife, their kids and their two dogs, Rocks and Daphne, must rescue him before he makes a terrible mistake.

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

A man’s female friend who just came back from London spends time on the river shore.

Alex is a passionate musician. He travels from one gig to the next with his tango band. He can't make a living from his music, but he doesn't really care. This changes when he and his bandmates steal a rocker band's tour bus and there is an accident. Alex's friend Tommy dies and the tango band is finished. Suddenly Alex finds himself without an apartment, a pile of debts and with the grim rockers breathing down his neck. There's only one thing to do: go into hiding.

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Ich lebe in der Gegenwart - Versuch über Hans Richter

When two teenage girls plot to steal liquor for themselves, their plan goes awry when they decide to visit their old piano teacher who's developed dementia.

"Filmed in 16mm and hand processed in a week at Phil Hoffman's Film Farm in Canada, this film was a treasure map to lead my husband to his gift, a little pet pig." ⁠— Helen Hill

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Faye, a former actress that lost her vision due to botched laser eye surgery, struggles to put her life back together while living alone in her dream house in the Hollywood Hills. Supported by her friend Sophia, she starts opening up to Luke, a personal trainer who is mute and can only communicate through his cell phone. When a masked stranger named Pretty Boy shows up, Faye will realize that she isn't as alone as she thinks.

Wanderings of the young Ami in the streets of Kabukicho, Tokyo.

Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.