Mod rockers the Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass. This is the first DVD release, without the extra material found on the DVD/Blu-ray re-release of 2006.
This show was filmed for the famous German TV series Rockpalast in MIDEM in Cannes on 29th January 1986. Pete Townshend's Deep End were touring in support of Townshend's solo concept album "White City: A Novel". Several of the musicians that appeared on the album were featured in the line-up of the Deep End including Pink Floyd's David Gilmour on lead guitar. The set list has tracks from the "White City" album, other Pete Townshend solo tracks, Who classics, David Gilmour's song "Blue Light" and a couple of surprises. Pete Townshend and the band deliver an outstanding performance that showcases him as a solo artist as distinct from his work with The Who.
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
A retrospective about The Who's third studio album 'The Who Sell Out'. Including interviews with Who members Roger Daltrey and Pete Townsend alongside other people involved in the albums production.
BTS's Love Yourself World Tour in Asia included concerts in Taiwan, Hong Kong, Singapore, and Thailand.
During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.
Freddy wants to be a star. He writes and performs his own songs, but has no record contract yet. He has an idea to form a group of back-up vocalists and recruits four beautiful girls who also happen to be his former lovers. They name themselves "THE FOUR PIN-UPS." But even this doesn't work because Freddy wants the spotlight for himself. However, by chance, the girls find themselves onstage without Freddy; they start singing and capture the audience and sign a contract with a big producer. They seem to be on the road to success with their own sound and a new wave image. Except the dream begins to lose its glow; scandal, conflicts, and disenchantment start affecting the group. They go from number one to...
Ich kauf mir lieber einen Tirolerhut
“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher
Decibels of Love
Sure, Elvis was the King, but who was the Queen? The Women Of Rockabilly – Welcome To The Club is a documentary search for the "Female Elvis", as we meet the women of rockabilly music and explore the "what-if’s?" and "what-now’s" of their careers. Brenda Lee, Wanda Jackson, Janis Martin and a sassy cast of lesser but no less colorful pretenders to the throne describe their trailblazing days when they were the embodiment of exuberance, sexuality and defiance in a world that wasn’t quite ready for them. A rockin’ feature documentary by Beth Harrington.
Vacanta la mare
Tears were formed in the small town of Katrineholm, Sweden, back in 1968. A band from the same era as Sweet, David Bowie and T-Rex. In the middle of the prog wave, the band chose to invest in an extroverted expression with make-up, glitter and spectacular stage shows. A unique band in Sweden of that time not only for how they looked but also for their sound. Nowadays, the members of Tears are older men, but it still happens that they put on make-up and take to the stage. Ola Salo (The Arc) is one of Tears biggest fans and speaks passionately about the band's history and glam rock in general.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.
Alex, whose singing career can't manage to succeed, accepts a strange job : to make a pensionner choir sing nursery rhymes. She finds out a bunch of out of control old people who dream of singing rock and roll music ! Her mission will be more complicated than expected...
Live performance by the group Ainbusk Singers.
Recorded before an enthusiastic crowd of worshippers at Cornerstone Church in Madison, Cece Winans and her electrifying five-piece band and singers presented a set list that include music from her praise and worship CD "Throne Room" as well as popular songs from her vast repertoire.
Detras Th(D)e Azufres (Versión corta)