La bataille de Notre-Dame

107.9 The End was an innovative radio station in the Alt-Rock days of the 90s in Cleveland, Ohio. After the telecommunications act of 1996 however, the station found it self in the hands of different owners. This film tells the story of the station through the people that lived it, the disc jockeys and staff.

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

This short dramatic film illustrates a cooperative program of fire protection that was carried out across Alberta in the late 1950s. It presents the problems inherent in a voluntary fire brigade, as well as the everyday heroes who step up and get the job done. The film is an entertaining look at how a crew that was once considered to be the joke of the town can evolve into the best fire brigade in the West.

TGV Paris-Bordeaux, la ligne de tous les records

Le monde est à eux

An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

This ABC documentary special provides a detailed look into the disastrous fire that ravaged Paris' revered Notre-Dame Cathedral in 2019. Firsthand accounts of firefighters, clergy, local officials and those who were inside the cathedral on April 15, 2019, as well as harrowing footage from within the inferno, tell the story of the fire watched around the world.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

Three single friends travel to Paris for ten days for the journey of a lifetime and in search of true love. From 'meet cutes' at the Luxembourg Gardens, to strolls down the tree-lined Champs-Élysées, will first dates lead to happily ever after or heartbreak?

When a firefighter comes to your house, chances are that their lives were just like yours not too long ago. 70% of all firefighters in Canada are volunteers, meaning in most cases, they were just eating dinner, coaching a team, or even at their actual job. To raise awareness of the need for volunteer firefighters, "Answer the Call" will showcase the unique lifestyle of volunteer firefighters, and have them shed light on the risks and rewards of living a double life.

This Theatre of Life series short, produced with the cooperation of the Los Angeles Fire Department, emphasizes fire safety and fire prevention. It gives a behind-the-scenes look at the switching system used to dispatch the proper equipment to fires, as well as a look at life in the fire station and fire fighter training. The film was nominated for an Oscar for Best Short Subject, Two-Reel.

Every day, Paris’ six railway stations welcome over 3,000 trains and more than a million travelers coming from France and all over Europe. The stations’ sizes are impressive: Gare du Nord is bigger than the Louvre or Notre-Dame de Paris. These railway stations are architectural landmarks and a model of urban planning despite the radical changes they’ve undergone since their construction in the middle of the 19th century. How did the railway stations manage to absorb the boom of travelers in just a few decades? What colossal works were necessary to erect and then modify these now essential buildings? From the monumental glass walls of Gare du Nord to the iconic tower of Gare de Lyon, to the first-ever all-electric train station, each has its own story, technical characteristics, and well-defined urban image.

Les Invalides: La construction d'un symbole

Brigitte macron, un roman français

From the early 19th century 1946 Paris had many brothels that were tolerated and controlled by the state. These were sometimes rough places but more often were housed in richly designed buildings and serviced a clientèle from all walks of life. This documentary looks back at the Paris brothels through photographs, historians as well as memories from some who would frequent them as clients or work there as prostitutes.

25 BIS is an intimate portrait of a masterpiece from the beginning of Auguste Perret’s career: the building located on 25 Bis, Rue Franklin in Paris. The film looks for the intangible and subjective element of the building’s history: the depth of its human print. The building appears as a sedimentation of life stories where each layer has left the trace of a passage. From the intimate nature of these stories, the film draws this fragile and undefined essence that could be called “the soul of the place”.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

Les Trésors du Paris haussmannien

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.