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A democracy and a dictatorship. A presidential campaign and dirty money. War and death. When Nicolas Sarkozy affirmed in the press that “No one can make sense of it”, he was trying to discredit the investigation into his ties with Muammar Gaddafi, portraying it as a bunch of gibberish. As Sarkozy and his many accomplices go on trial in the Libyan campaign financing affair, here’s the film that will finally explain all of the ins and outs of one of the most remarkable French political scandals in decades.

Oliver Stone's second documentary on/interview with Fidel Castro specifically addresses his country's recent crackdown on Cuban dissidents; namely, the execution of three men who hijacked a ferry to the United States.

ME/CFS is a devastating disease that affects around 300,000 people in Germany alone. There has been little help for sufferers to date. Many doctors are not familiar with the clinical picture and treat it incorrectly. However, something has been happening recently, partly due to the coronavirus pandemic: because the late effects of Covid-19 correspond to the typical symptoms of ME/CFS...

Montaje: Caso Bombas

A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.

Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.

Nucléaire, l'impasse française

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

When an unidentified hiker is found deceased in the Florida wilderness, authorities release a sketch. Multiple hikers call in claiming to have met the man. There's only one problem – he never told them his name. It would take two years, thousands of devoted internet sleuths, and a miracle of science to identify him, and that's when the trouble really starts.

About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.

In November 2018, the news of the death of a 27-year-old American on the shore of a small island in the Indian Ocean went around the planet. Clash of the culture.

Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world's biggest unanswered questions- who is Banksy?

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

Join National Geographic's Lisa Ling as she captures a rare look inside North Korea - something few Americans have ever been able to do. Posing as an undercover medical coordinator and closely guarded throughout her trip, Lisa moves inside the most isolated nation in the world, encountering a society completely dominated by government and dictatorship. Glimpse life inside North Korea as you've never seen before with personal accounts and powerful footage. Witness first-hand efforts by humanitarians and the challenges they face from the rogue regime.

Lorraine Coeur d'Acier, une radio dans la ville

Des quetsches pour l'hiver

Is Taiwan the scene of the next bloody war? A Chinese attack could trigger a conflict between the superpowers. How great is the danger of a Chinese invasion?

Behind the fluffy towels and crisp white sheets of Berlin's finest hotels is a tale of seemingly brilliant entrepreneurship: A company takes the dirty laundry of German hotels to Poland - and brings it back clean the very next day. Outside of Germany, labor is cheaper and regulations are less constricting. But over and beyond this fascinating capital venture there remains the harsh reality of the everyday life of the hard-working Polish laundrywomen, through whose hands the white sheets pass. While Beata struggles to raise her three children on her meager salary, Monika reminisces about her unrealized childhood dreams of becoming a doctor, and is compelled to watch her teenage daughter Marta gradually follow in her footsteps.

Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.

After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.