A hyper sensitive film student falls in love with an older woman.
Supermarket Sweep
Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….
Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…
LETTERS, a dramatic historical fiction written by Mrs. Evelyn Merritt in 2010, tells the story of U.S. soldiers and their loved ones through their correspondence beginning with the Civil War and ending with the War in Iraq. Sahuarita High School students adapted the Readers’ Theatre play into a movie, reasoning the student actors would be kept safe from Covid-19 by filming them individually, and afterward the footage could be reassembled into a screenplay following the original dialogue.
A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror
This ode to standup comedy and overall antisocial, student film, headlined the 2002 film program at Long Beach.
In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.
Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.
An ex-soldier encounters many dangers in the small town he lives in.
A man gets falsely accused of murdering his wife.
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
A day in the life of two film school students trying to find love and another housemate.
An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive
Anna and Jakub are a young couple on a journey to make friends. Their car breaks down and they are stranded in a small town where they have to spend the night. They stay in a hotel and get to know the locals. As the whole small town prepares for an upcoming medieval parade, long-suppressed feelings and problems in the two young people's relationship begin to surface.
A young director disgusted by the financing system of the movie industry decides to shoot a feature movie made from live scenes without any financial support in order to denounce the difficulties to achieve a cinematographic project in Belgium. The rivalries between the cast members, the excesses and the frustrations will slowly lead him to a surrealistic disaster.
When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.
The director Misha Tumelya and animators Sasha Dorogov and Alexandr Petrov presented this short to Roy E. Disney as a tribute for the 60th anniversary of Mickey. A little over two minutes in length, the cartoon shows a young boy in black silhouette going to a line that divides the screen image in half. It is like a mirror with the young boy on one side and the classic black and white Mickey Mouse in black silhouette on the other side.
Some Boys Don't Leave is the story of what happens when the break-up happens but the break does not. 'Boy' is forced to come to terms with the fact that 'Girl' no longer wants him around. The only problem is he just can't seem to leave their once shared apartment. 'Girl' decides to keep living her life around him; while he remains, watching at a distance. In time, each decides to go in his or her own distinctly different directions. 'Boy' soon finds that sometimes the greatest distance we are asked to travel is one within ourselves.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.