Richard Strauss - Ariadne Auf Naxos

Live concert recorded at the Middle East cafe in Boston, MA on September 21, 1990.

The eagerly anticipated wait is over, after 5 years since the release of her last album, Adele is back! Fans have applauded her return, by breaking the record for most viewed video in a single day, reaching an astounding 28.7M views in the first 24 hours. The British singer has knocked Taylor Swift off the record, previously holding most viewed video in a single day for her Bad Blood video which reached 20 million views. “Hello” has now been viewed nearly 89 million times on Vevo alone since the day of its release, and has already topped the iTunes charts in 85 countries. The success of this debut single has blown everyone away and the rest of her album will most likely follow suit. Through her own words, video and live performance this documentary takes an incredible look at the life and times of this truly amazing young artist.

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

What was supposed to be a 40 minute performance gets extended another 20 minutes with 3 more songs to the already sung 35 songs in Bing’s only fully televised concert! Recorded a month and a half before his death, we see Bing in great form performing many songs he was associated with. He is accompanied by the Joe Bushkin Quartet and his son Harry Crosby.

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.

Chiaki is an aspiring conductor who faces the challenge of leading an orchestra which is made up of substitutes. Nodame gives her support to her beloved as she works hard towards achieving her dream to pass a promotion exam at their music conservatory. Will Chiaki be able to revive a broken down orchestra and launch his musical career? What will become of Nodame and Chiaki's relationship?

Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction it his wake has always attracted top singing actors, as in this performance brilliantly led by James Levine. Samuel Ramey is Don Giovanni, pursued by the incandescent Karita Mattila (Donna Elvira) in her Met debut season and role, and by the white-hot avenging fury of Carol Vaness (Donna Anna.) Ferruccio Furlanetto delivers a masterful comic turn as the Don’s servant, Leporello.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1998 concert was conducted by Claudio Abbado and featured Marcelo Álvarez (tenor), Mirella Freni (soprano), Simon Keenlyside (baritone), Christine Schäfer (soprano) performing: Wolfgang Amadeus Mozart: Le nozze di Figaro (Excerpts), Wolfgang Amadeus Mozart: Don Giovanni (Excerpts), Georges Bizet: L'Arlésienne (Excerpts), Gioachino Rossini: La gazza ladra: Overture, Giuseppe Verdi: Rigoletto (Excerpts), Giuseppe Verdi: Un ballo in maschera (Excerpts), Hector Berlioz: Le Carnaval Romain, Piotr Ilyich Tchaikovsky: Eugene Onegin (Excerpts), Giuseppe Verdi: La Traviata (Excerpts).

A collection of music videos from the first 20 years of the bands career

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

Les Insus - Les Films

Documentary following Roger Miret and Vinnie Stigma of the band, Agnostic Front who played a key role in defining, shaping and establishing the sound and cultural code of conduct for the still-thriving movement. Unlike the dozens of bands that have come and gone, Agnostic Front is still going strong.

Håkan Hellström takes the stage in this already legendary live concert from Lisebergshallen in Gothenburg on December 20, 2002. The venue had long been packed and an extra samba battery, snow cannons and soap bubbles transformed a cold winter evening in Gothenburg into a carnival like no other!

Lumee, one of the two main characters (of the opera p r i s m), sings this aria while smoking outside a nightclub in the second act, providing a window into her selfish fantasies. Not a recorded section of the opera, but a companion piece meant to depict the character's imagined realities.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1996 concert was conducted by Claudio Abbado and featured Maxim Vengerov (violin) and the Swedish Radio Choir performing: Johannes Brahms: Hungarian Dance No. 1, 5, 7, 17, 10 & 21, Johannes Brahms: Gipsy Songs, Op. 103, Maurice Ravel: Tzigane, Johannes Brahms: "Es tönt ein voller Harfenklang", Johannes Brahms: Liebeslieder-Walzer, Op. 52, Maurice Ravel: La Valse, Hector Berlioz: Hungarian March.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1997 concert was conducted by Claudio Abbado and featured Roberto Alagna (tenor), Anne Sofie von Otter (mezzosoprano), Bryn Terfel (baritone), Gil Shaham (violin), Mikhail Petnev (piano) performing: Georges Bizet: Carmen (Excerpts), Sergej Rachmaninov: Rhapsody on a theme of Paganini, Pablo de Sarasate: Carmen Fantasy, Op. 25, Maurice Ravel: Rhapsody Espagnole, Manuel de Falla: El Amor Brujo - Ritual Fire Dance, Johannes Brahms: Hungarian Dance No. 5.