A Day Beyond the Horizon

With the background of the Battle of Okinawa, he draws a semi-documentary image of each individual person under an unusual psychological state of war. Furukawa Takumi of “Backlight” is adapted and directed by Daiichi Ishino. Filmed by Yoshio Mamiya, “Smuggling of the body”. The main performers are Sachiko Sakai since the “Zoi Family”, Hiroyuki Nagato of the “Next door bride”, Shoji Yasui of the “Sentimental wife”, Takatoko of “Crying, the last Japanese fighter”, “Blue angry” Noriko Katsura, Shinzo three of "actress (1956)", Masao Oda, Nobuo Kaneko, Toru Abe, Hiroshi Nihonyanagi, Misako Tsubouchi.

After an American helicopter crashes into a classroom in Okinawa International University, student Ryuichi is compelled to write a report on a similar accident 52 years ago, in 1959, when an American jet fighter crashed into his grandfather's elementary school. He also plans to hold a peace concert.

A group of teenagers grow up in Okinawa amid the protests and resistance against the presence of the American base in the island.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.

A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.

Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.

Tomboy Yui (Mao Inoue) brings her 3 male friends along with her to see a live performance of local Okinawan rap group, “Workaholic”. Upon witnessing the crowd reaction, the boys decide to start a rap group of their own to impress chicks—while Toru (Hayato Ichihara) has the added motivation of impressing his older, more sophisticated love interest Nagisa (Ayumi Ito). With only 2 weeks to learn how to play instruments and prepare for their first show, the performance is predictably humiliating. In order to save pride they decide to give it another shot, but this time they ditch the instruments for a sampler and stay truer to themselves. Will Toru be able to capture Nagisa’s heart? Will Yui ever confess her love to Toru or will she just keep practicing her advanced pro wrestling techniques on him instead?

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.

沖縄健児隊

Breathe In, Breathe Out centers on six, later seven, individuals who have gotten jobs harvesting sugarcane on a small Okinawa island. Each worker has their own unique personality as well as their own issues as they learn to work together...

By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.

This drama depicts a boy's coming of age against the backdrop of Okinawa's food culture. Director Nakamura Ryugo was born in 1996. He made this film, his feature debut, when he was just fourteen years old. Okinawa has an old tradition of eating a goat for celebratory occasions. But that culture is starting to fade in urban areas. Yuto (Uehara Soji), a sixth grader living in Naha, spends his winter vacation in the countryside town where his grandparents reside. He receives a shock when he sees the goat raised by his grandfather killed by locals.

A gang of thieves plot to rob a US military base in Okinawa, but rising tensions in the group threaten to put the plan in jeopardy.

Director Miho Niikura examines the modern practice of tee (Okinawan karate), and its attractiveness to Westerners—some of whom travel thousands of miles to study the venerable martial art in its birthplace, Okinawa.

During the Vietnam War era, the influx of American soldiers to Okinawa boosted the local economy and introduced many bars and nightclubs. With exhausting displays of energy, Sai presents a whirlwind romance between a local rocker and the daughter of a mixed American-Okinawan marriage.

In post-WWII Japan, an American captain is brought in to help build a school, but the locals want a teahouse instead.