Host Paul Davis takes a trip through some of the iconic backdrops of John Landis' 1981 werewolf classic An American Werewolf In London. The original cast and crew tell the story of how the film was made over a quarter of a century ago featuring rare footage and never before seen photos.
Grieving his sister's death, Xen meets Aana, a dark arts practitioner offering vengeance. Drawn into a world of ritual and retribution, Xen must navigate the blurred lines between justice and revenge, deciding how far he'll go for power and retribution.
One year in the life of a Turkish teacher, teaching the Turkish language to Kurdish children in a remote village in Turkey. The children can't speak Turkish, the teacher can't speak Kurdish and is forced to become an exile in his own country. On the Way to School is a film about a Turkish teacher who is alone in a village as an authority of the state, and about his interaction with the Kurdish children who have to learn Turkish. The film witnesses the communication problem emphasizing the loneliness of a teacher in a different community and culture; and the changes brought up by his presence into this different community during one year. The film chronicles one school year, starting from September 2007 until the departure of the teacher for summer holiday in June 2008. During this period, they begin to know and understand each other mutually and slowly.
He was a postal clerk. She was a librarian. With their modest means, the couple managed to build one of the most important contemporary art collections in history. Meet Herb and Dorothy Vogel, whose shared passion and disciplines and defied stereotypes and redefined what it means to be an art collector.
Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.
A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.
With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.
Invisible Empire is all conspiracy and no theory – proving beyond doubt how the elite have openly conspired to insidiously rule the globe via the engines of the CFR, the United Nations, the Trilateral Commission, and the Bilderberg group, which were born out of the historical Round Table groups first set up by Cecil Rhodes. The film traces the lineage of the evolution of global governance from Samuel Zane Batten’s 1919 manifesto New World Order, through to Hitler’s vision of a 1000 year Reich, to the modern incarnation of the conspiracy which has its roots in the evil deeds of people like George H. W. Bush, David Rockefeller and Henry Kissinger.
An old conspiracy film, probably made in the early 80s, questioning the intentions of the Masonic Order. The primary focus is on attempting to expose the hidden secrets of the Freemasons.
"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.
BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.
In September 2022, when mobilization was announced in Russia, residents of the Chukchi village of Egvekinot Maxim Teyunaut and Sergey Nechaev decided to escape so that they would not be sent to war in Ukraine.
When Gavrilushka reached the age of one year and three months, his mother was astonished to observe his ability to play the piano. The toddler confidently executed a few chords with his left hand and even began to produce a melody with his right. Every day Gavriil Shcherbenko played more and more and better. Videos capturing the young prodigy's performances started circulating globally, leading to comparisons with legendary figures such as Mozart, Richter, and Beethoven. Gavrilushka has collected a diverse fan base, comprising individuals fluent in various languages, all captivated by his musical talent. Remarkably, while his fans comprehend his playing effortlessly, the young boy himself has yet to utter his first words. Gabriel Shcherbenko's parents view this journey as a remarkable adventure, uncertain whether their child will eventually cease playing or, conversely, embark on a path of professional musical education.
An experimental documentary film that delves into the intricate facets of the issue of human dignity humiliation in Russia. The directors provide audiences with an unconventional perspective on situations where individuals are compelled to issue on-camera apologies for their words or actions. Through this experimental narrative approach, viewers will witness how it has become commonplace in modern Russia to extract apologies on camera. Some instances will evoke genuine sympathy as people grapple with public scrutiny. Simultaneously, other scenes will unveil the darker side of this trend, where apologies devolve into mere puppetry, extracted under the threat of personal and professional repercussions. The film incorporates a range of videos capturing moments of sincere apologies driven by a genuine acknowledgment of one's mistakes.
The film crew travels on a train in a reserved seat across Russia, talking with passengers about the war. The main characters are guys of military age, ordinary Russians, without savings and the opportunity to leave the country. They are against war and are not afraid to talk about it and, moreover, they are not afraid to fight for their rights even where it seems that this is impossible. Bad and good Russians. Who are they and what do they look like? Did all the good people really leave Russia, or is there still someone left there?
Shot in Kyiv, Bucha and Gostomel in May 2022, the film shows eyewitnesses of the beginning of the full-scale invasion and the following Russian occupation. The protagonists share their impressions of those days and their thoughts about the present and future.
Aglaya's father left the family when she was twelve. 28 years later, his daughter invites him on a trip to Georgia to learn together about the origins of their family. Everyone keeps their own audio travel diary to get to know not only their roots, but also each other.
Almost a detective story of the film's author's escape from Russia.
The Talab Islands, situated approximately 25 kilometers from the Estonian border and equidistant from Pskov, comprise three islands. Two of these, formerly known as Talabsk and Verkhniy, were renamed Zalit and Belov during the Soviet era to honor Red Army soldiers who tragically drowned in 1918 while attempting to establish Soviet power on the islands. In the past, Zalit was home to a thriving fishing collective farm, attracting local residents who had been engaging in lake-related activities for decades. However, contemporary bureaucratic challenges have hindered fishing activities, leading to a shift in the islands' economic focus towards tourism. Pilgrims now frequent the islands to visit the grave of Nikolai Guryanov, the former rector of the local church. Despite the islands' historical significance and tourism potential, they face challenges in terms of infrastructure and services.
This film tells the stories of several people connected by the tragedy in Bucha, which took place during the Russian occupation near Kyiv in 2022. We find them at the point where the first "dust" of the drama unfolding before the eyes of the world has already settled. But is the terrible thing in their lives really over?