A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
An analysis of the flow of water from mountain to aqueduct, city to sea. Shot at and around the Eastern Sierra Nevada, Owens Valley, Los Angeles Aqueduct, Los Angeles River and Pacific Ocean.
The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europe. Between big tech companies and start-ups. Who will win the competition? Will Europe be left behind? And who will determine a technology that will shape the future of humanity?
Symphonic documentary exploring the Miami identity in six movements. It was performed and projected live by the New World Symphony, led by Michael Tilson Thomas on Feb 22, 2018. The film is made up of five separate and synchronized video channels, projected onto the walls of the New World Center concert hall, above a full symphony orchestra.
Celina y Chichi
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
memory file 01
Lunettes, voir encore plus loin
13 Faces du Valais
Castor, la force de la nature
Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?
Anne'ye
The Trojan Nuclear Power Plant, with its 499-foot tall cooling tower that loomed over its otherwise bucolic Columbia river setting, is the only commercial nuclear power plant ever built in the state of Oregon, at the cost of $450 million in the 1970's economy (almost 3 trillion dollars in today’s money). [...] "Portrait #2: Trojan" is a sublime representation of the surrounding environment leading dramatically up to the moment of demolition. Sam Coomes’ flawless score provides stunning sonic context for the happy ending of the Oregon nuclear skyline. The film is an effective prescription in prevention of politically-triggered anxiety and depression in post-modern Cascadia.
A man sees mountains and sets out to recreate them. During a traverse across the Western United States, we observe familiar sites in a new light, and the world gets lost in the fold.
An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.
My great-grandmother, Frieda Riesenfeld, recounts moving into her first apartment in the United States after escaping from Germany in 1938.
William Vennard's collaboration with Janwillem van den Berg resulted in his film Voice Production: the Vibrating Larynx. Winning several awards, including best medical research film from a festival in Prague in 1960, it shows the anatomy and physiology of voice production in the excised larynx. He was a pioneer in the science of singing and in voice pedagogy and was instrumental in fostering collaborative efforts between singers, physicists, psychologists and voice scientists.
This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
From Germany to Italy, the United States to Île-de-France, Jumbo/Toto, Stories About an Elephant shadows the itinerary of a single forgotten animal, an African elephant doubly-named Jumbo/Toto. Jumbo, as he was called on German colonial ships,at the Amerikakai port of Hamburg, and in Carl Hagenbeck's zoos; Toto, as he'd come to be known with great fame in fascist Italy. An urban investigation and an adventure film, a ballet of flora and fauna and pavement and sea, Jumbo/Toto, Stories About an Elephant is a modern epic of the joy and pain of the 20th century set in what still remains strange and unknown: the 21st century, and the solitude of telling a story.