My Son

When Tyler Davidson brings his college buddy Chase home for the summer holidays a secret is revealed that threatens to tear his perfect family apart.

Confined to his room in an aged care facility, an elderly man with a debilitating disease struggles with his sons abrupt departure.

A visionary and artistic young woman finds her love torn between her imaginary boyfriend and a real boy from one of her classes.

The story of Ace Eli Walford, a 1920s stunt flyer who barnstorms around the country, taking his eleven-year-old son Rodger with him as he goes from town to town. The place is rural Kansas, and the time is midsummer in the early nineteen-twenties, not long after World War I. Eli (Cliff Robertson), a barn storming pilot who has the emotional make-up of an 11-year-old, and Rodger (Eric Shea), his 11-year-old son who possesses the wisdom of the ancients, set off to see the world, which means flying all the way to San Willow. To Eli, San Willow seems to be as fabled as Xanadu and quite as remote. In essence, "Ace Eli and Rodger of the Skies" is about the adventures of Rodger and Eli getting from nowhere to nowhere. Eli, a killer with the ladies at first, always leaves them unsatisfied. He seems to have a sex problem. Rodger spends a lot of his time getting his dad out of scrapes. He also drinks, smokes and goes to sleep at night crying for his deceased mom.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.

As he approaches manhood, Ben Meechum struggles to win the approval of his demanding alpha male father, an aggressively competitive, but frustrated marine pilot.

A musical based on the life and music of Johann Strauss, Jr.

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.

While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

The past catches up with a ruthlessly ambitious boxing promoter.

A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.

Even though Sam's father is hardly ever home because he is often away on business trips, he is able to connect with his son by teaching him how to pack a suitcase.

When Benjamin Steed and Mary Ann Steed relocate their family to upstate New York in the early 1800's, they unwittingly settle in a town divided along religious lines. After their new hired help turns out to be at the center of the uproar, each member of the Steed family must come to terms with their own beliefs in the face of heavy persecution. Together they struggle to weather the raging controversy surrounding a young man named Joseph Smith.

Larita Filton is named as correspondent in a scandalous divorce case. She escapes to France to rebuild her life where she meets John Whittaker. They are later married, but John's well-to-do family finds out Larita's secret.

The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.

Dr. Muller, a friend to all, finds pleasure in turning the goodness in people to evil ends. He meets Marie Matin and her fiancée, Georges Roben, while viewing a new painting, "The Martyr--Truth Crucified by Evil." Marie declares that the picture was wrong--evil could never triumph over truth--and though Muller says he agrees with her, he plots to prove otherwise.