An Empty House

The love uncertainties of a young homosexual in search of himself.

A teenage boy, troubled and alone wanders the grassy hills looking for something. He settles on a slope and searches for some activity to amuse him. He begins to pick pieces of his body off and taste them. This seems like a good thing to do. So he removes his eye, his face and finally his own guts and eats them all in an orgy of ecstasy and gore.

Parochial school takes a dark and lusty turn for Father Thomas (J. Scott Green), a well-meaning Sunday school teacher who embarks on what he believes will be a quiet summer assignment at a rural academy for girls. It's hard enough for the Father to deal with four sex-hungry students let alone the school's devilish secret.

Two maneaters collect the souls of their friends at a house party for Satan

An impulsive middle schooler playing a game of hide-and-seek soon realizes something sinister is hunting him and his friends.

Traffic Light

A happy go lucky postman stumbles upon an empty house.

Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?

In 1974, a soldier, having now returned home, is haunted by shadows from the past, but are they just in his mind?

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

Every year, thousands of people coming from Africa try to reach Spain in desperate and dangerous journeys across the Mediterranean. Tariq is a young Moroccan who works for a mafia that organises these illegal journeys. His job is to carry immigrants in a dinghy across the strait and not getting caught. But every trip might be the last one.

Created by Ricardo Ghiorzi ("The Curse of Sanguanel", "Beyond the Grave"), HISTÓRIAS ESTRANHAS (Stranger Tales) is a suspense/horror/fantasy collection of eight segments produced by independent film companies and directed by the most promising filmmakers of the Brazilian fantastic genre today.

A group of teenagers riding in a car for a picnic. On the way, one of the guys accidentally shoots a kidnapped girl from a car overtaken on the phone. The guy decides not to tell anyone anything, and soon terrible things start happening to him.

A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.

An ambitious artist is to present his magnum opus, a time controlling device, at a gala in his nemesis' museum. Getting him into the device is the perfect opportunity to exert revenge and create the ultimate art piece. Stakes rise when the artist's ex-wife volunteer to test the machine instead.

A twist on the Murder Mystery Cluedo, which centers around Miss Scarlett and her close friends at her stepfather Sam's birthday gathering. As the game begins Sam collapses and it is assumed that this was part of the game. However, as a mysterious inspector no one recognizes starts questioning the guests they all soon discover that the death was real and they are now all in danger.

The man, the hill, the shack.

A bordertown detective who is trying to stop a rampaging Chupacabra, until another detective is brought in to investigate.

An argument between two families in a thrift store erupts into a full-scale brawl.

In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'