Katinka Polderman: Polderman Draagt een Steentje Bij

When Judeska finds out that her sister's hotel is in heavy weather and she is in danger of losing it, someone in the family has to get up to help her. And who else but Judeska, to make the problems worse than they already were?

TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.

Forgotten B movie scream queen Delilah Leigh and her son Devin vie for the attention of handsome Indian filmmaker Bhuvan Bannerji, Delilah for her last shot at stardom, Devin for his first shot at love.

Video registration of the second comedy special by the Dutch comedian Stefano Keizers. In Keizers' own words, 'Sorry Baby' is 'an art performance that tries to approach a regular comedy special as closely as possible'.

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Presented by HBO and recorded live at the American Palace Theatre in New York, 'Hazelle!' a one-woman show consisting of a series of interconnected vignettes involving a host of Hazelle Goodman's well-crafted and distinct characters, which center on a NY York neighborhood. Often hilarious, sometimes poignant, but always though provoking and brilliantly performed, Goodman uses humor to celebrate humanity in way that is as relevant in 1995 as it is timeless.

Recorded concert movie chronicling many of the works of P.D.Q. Bach

Fous de Musique by Jean-Charles Carlus (1957) is a musical comedy featuring Rouiched, Mahieddine Bentir and the famous Bendaoud orchestra. Shot during the Algerian War, the film was not released until after independence and was probably shown in Paris in cinemas intended for immigrant workers around 1967. Sources: Archives Numériques du Cinéma Algérien

Urbanus: Het Beste van Urbanus

A musical lesson on how to become an amateur filmmaker.

In October and November 2017, Xander will be back on stage with a second special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program. With "Xander De Rycke houdt het voor bekeken" (Xander De Rycke calls it quits), he gives the audience a razor-sharp overview. This fall, Xander will take a close look at everything from September 2016 to September 2017. From strong fiction to weak reality and from blockbusters to box office flops. Nothing has escaped his gaze. His conclusion? You'll have to hear it for yourself on the evening itself. But for now, he's calling it quits.

Najib Amhali: Freefight

Youp van 't Hek cheerfully flits between the following four questions: What are we willing to die for? How high will we rise in heaven? What does heaven have to offer us? Why is life on earth such hell for so many people? Youp doesn't give any real answers because he simply doesn't know them, but his jokes do lighten the mood.

Registration of the theatre program by the Dutch comedian Youp van 't Hek.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

Klaas van der Eerden: Mix

Silvester: Alone

Wim Helsen is always witty, surprising, and pertinent: whether he is expressing his indignation as a good-natured soup distributor in 'Heden Soup!', preaching passion as a cunning demagogue in 'Bij mij zijt ge veilig', or championing better poetry as the Best Friend of Poetry in 'Man Bijt Hond'. Helsen mixes the best of cabaret, theater monologue, and poetry into a disarming individuality, bringing innovation and wonder to the stage.

Guido Weijers: Myosotis

Guido Weijers: Oxymoron