Aylin, who lives with her mother in Istanbul, is continuing her university education. In the harsh conditions of life, they exist with a new "deceptive" business model that suits the desires of today's city dwellers.
An elderly janitor enters the classroom to clean it and sees an unanswered addition problem on the blackboard. The numbers bring back a memory that deeply affects the old man and perhaps changes his future.
The man sits next to a godmother who he owes, for negotiation. The Godmother gives him one last chance to save his own life.
Last letter from a serial killer in distopic Istanbul...
Feeling left out after meeting an almost-famous clarinet player, Sercan decides to go on the search of the famous restaurant Resul’s Place. However, on his journey, he gets to know many things about the restaurant, his friends and himself.
A clown has a children's program, but strange things are happening in this program.
Three girls are locked in a basement. They have been down there for a long time. One must die in order for the others to leave.
The dance of nature, sound and time around an old man.
Five short films by five directors based on themes of love and tolerance, each independent of the other. Supported by the Ministry of Culture and Efes Pilsen. The collection includes five short films: Ömer Kavur's "The Meeting," İrfan Tözüm's "Monte Cristo," Yusuf Kurçenli's "Because I Love Her," Erden Kıral's "Moon Stories," and Zeki Ökten's "Always the Same."
At a nondescript government agency suspended in time, a group of lexicographers are about to settle into their usual routine: the eradication of all unnecessary, objectionable and potentially objectionable words by unanimous vote. Discussions need to be made and decisions reached, by this motley crew, in this gloomy room, for all of humanity, when in walks the new Typist with fresh questions and challenges for the entire group.
A troubled high schooler makes a startling discovery at the bottom of an old swimming pool.
Set in a decaying seaside village scarred by the relentless march of economic development, the film weaves environmental conflict into its narrative fabric. Through intimate family dynamics, the director subtly mirrors the mounting tensions between communities and the natural world—a reflection of the pressing ecological crises unfolding in our contemporary society.
In 1926 Vida, a simple, young Slovenian woman leaves fascist Italy due of poverty. She emigrates as a wet nurse to Alexandria in Egypt to support her family. Her poor peasant existences changes to a life in luxury.
Sevgili Babam
On the day of a crucial meeting for the companies fate, a young man is faced with an unexpected encounter. What seems small at first leaves a lasting emotional impact.
A-Chih dreams of having a new bicycle. A chance encounter leads him to become friends with transfer student I-Chen, who rides a new bicycle. The two become close, and A-Chih takes I-Chen out often to play. Once, I-Chen’s bicycle was stolen by a group of junior high school students because of A-Chih’s negligence, but the two manage to outwit the students.
Kar Düşerken
Settled
İnziva