Rougeur

A Culpa é do Sol

In the hot season, a young man decides to go buy something to drink.

O Sol Vai Voltar Amanhã

Solum

A young man who has been fighting for his survival for days finds an old camera and decides to record one of his days living in a post-apocalyptic world.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

In the 1980s, a drummer is abandoned by his band just before they become rock superstars. Twenty years later, the drummer sees his second chance at stardom arise when he is asked to perform with his teenage nephew's high school rock band.

David Tao The Glamorous Life Concert

A man with a troubled past set out to work in a new town to turn over a new leaf but trouble seems to follow him.

Joey Yung Concert Number 6

Swedish singer/songwriter Peter LeMarc is composing, recording and planning a tour of his new album "Det som håller oss vid liv/What keeps us alive" in 2003. After enjoying a hugely popular career from 1987 to 1997, and after a hiatus, he enjoyed a comeback starting 2003 onwards with a series of new albums reaching the top of the Swedish Albums Chart.

A documentary about the resistance of the people against the millitary Greek junta.

Find out what Radio One was like back in 1988

Milky Chance - "Two High School Friends Making Music"

Registration of the theater revue of the same name by Alex Klaasen and Martine Sandifort. 'Volgend jaar lach je d'r om' has won the cabaret festival Cameretten in 2000 and was also awarded the Pall Mall Export Prize in 2000.

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

The film is about young village man and about his love's.

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