Ryszard Cieslak: The Body Speaks

Le Tombeur

It's Easter time in Crisper County and cable news reporter Marlee Meade (Petunia Rhubarb) is hunting for a way to help others. On a tip that the old town theater will be shut down, Marlee cooks up a plan to save the stage and make a difference through the power of musical theater! With a cast of costume-clad townies, massive props and a 20-foot robot rabbit - "Up With Bunnies" is hatched! There's only one thing missing - the star of the show! When news spreads that singing sensation Cassie Cassava (Melinda Dolittle) is arriving to perform in her hometown church's Easter service, Marlee gets worried. Concerned about the competition, she schemes to steal the starlet for her own pageant! But when things go haywire, will it be curtains for Marlee's dreams - or will she discover the true meaning of Easter and what helping others is really all about?

The extraordinary life of playwright, singer, actor, composer, and director Noël Coward, who rose from poverty to stardom while keeping his sexuality a secret. Featuring Laurence Olivier, Maggie Smith, Frank Sinatra, Michael Caine and Lucille Ball. Narrated by Alan Cumming. With Rupert Everett as the voice of Noël Coward. Directed by Academy Award Nominee Barnaby Thompson.

The son of the wealthy Signor Della Corba loves one of his maids. Her brothers and father rebel at the idea of this union. But the girl is pregnant, and after the birth of the child, Della Corba's son decides to kidnap his mistress on Carnival Day. The brothers, having caught wind of the plan, kill him, then, in disguise, take him masked to his father's house, passing him off as a drunken friend. At dawn, Della Corba discovers her lifeless son under the mask. The maid having died in the meantime, he takes the child in and adopts him.

Le plus beau dans tout ça

Pour avoir Adrienne

Michael Morpurgo's heart warming story of a champion Chelsea footballer set against the backdrop of the Second World War.

Documentary about the production of Bunk #7.

Two sisters reunite on the anniversary of the death of their father. Their uncle has remodelled their family home, in an attempt at a fresh start. But one sister’s sudden reappearance threatens to shatter this fragile idyll as she demands justice for the pain she carries.Amid the debris and the new extension, guilt, grief and greed battle it out in the family’s competing dreams of their future. When we are faced with the suffering of others, even those closest to us, can we look away?

Kristina Wong is an actual elected representative of Koreatown, Los Angeles. But before she created a raucous show about her current stint in Public Office, she was a scrappy performance artist with a bright future in reality television. The system she used to ridicule is now the one she’s become. Is she more effective as a performance artist or a politician? Can she Abolish ICE? Is there actually a difference between performance art and politics?

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

A theater troupe's young, energetic leader has secured an old theater in which to produce his new production. The theater's elderly caretaker urges the group to leave at once. A vampire is awakened and discovers that one of the troupe is the reincarnation of the woman who he once loved.

In what appears to be her last show, a burned out sketch comedy writer/director shares a behind the scenes look at the "mounting and sustaining" of "Orange Is the New Orange"; a sketch comedy show that skates on the edge of disaster. It's a look at "what could go wrong, that did go wrong." In this 90-minute mockumentary, Orange County Crazies founder Cherie Kerr finds herself in the middle of the most stressful production of her 40-year career. It starts with the first table read and takes the audience to the final curtain--the last night of the run.

A dark comedy set in the L.A. theatre scene, as director Steve Maletti accidentally causes the death of a legendarily harsh critic.

In March, 2017, at a small town, six boys and girls are selected through auditions. They work hard to prepare for a play, but the play is suddenly cancelled. These young people are disappointed at the news. One girl says "let's practice." The six boys and girls want to stand on stage no matter what.

From Boris Karloff to Mel Brooks - Frankenstein has fired the imagination of generations of artists who have created their own interpretation of this Gothic masterpiece. Frankenstein: A Modern Myth looks at some of these depictions, including Danny Boyle's sell-out hit at the National Theatre. The film has exclusive access to rehearsals and interviews with Benedict Cumberbatch and Jonny Lee Miller - who alternate the roles of Victor Frankenstein and the Creature - and with Danny Boyle. It also features cult film director John Waters: "I'm sympathetic to monsters, and this was the first one I came across as a child".

Although the past two years have been challenging for the Theatre industry, they also showed its incredible strength and resilience. Through interviews with West End performers and creatives, this documentary outlines the difficulties presented to our industry over the course of the pandemic, as well as highlighting changes - both positive and negative - that have come from it. An emotional reflection on a battle it was worth fighting for. All profits will be going to 'Acting for Others', an organisation that provides support to all theatre workers through 14 member charities. We hope these stories full of passion for Theatre inspire you just as much as they inspired us!

Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.

The hour before actors go on stage at the National Theatre in London is a performance in and of itself.

Ela, a young actress, gets a role with the well-known theatre director Franz Kramer. The production is a great opportunity for Ela, but also comes with pressure. Kramer constantly oversteps Elas boundaries, and the situation worsens when Kramer sexually harasses her. Ela struggles to reconstruct her role as a self-confident character-and realizes that to do so, she has to take the same steps of self-empowerment in her real life.