Der Goggolori

Singing superstar Tom Jones performs his classic hits and brand new songs in front of a celebrity audience in celebration of his extraordinary career. He is joined in duets by some special guests, including Mick Hucknall, Cerys Matthews and Space.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Super Robot Spirits live DVD release with the original artists singing annual robot animation theme songs!! There are more than 20 songs of live performances from the show at Akasaka BLITZ on April 29, 2003.

Recorded at Shibuya ON AIR EAST on August 13, 2000, Super Robot Spirits brings the original artists together to celebrate the robot series theme songs.. In addition, the "SUPER ROBOT SPIRITS HISTORY" summarizes the history of super robot soul live

The band announced on their official website that on March 23, 2013, they would celebrate the 10th anniversary of Epica in Eindhoven, Netherlands. The concert which would be called Retrospect, would be held in Klokgebouw with a 70-piece orchestra, choirs, international guests and many special effects. The band invited the Hungarian Remenyi Ede Chamber Orchestra and the Choir of Miskolc National Theatre to this show as they were the same orchestra that accompanied Epica in the recording of the live album The Classical Conspiracy.

Labyrinth, Italy’s finest purveryors of power/prog metal, held their first reunion show at Frontiers Metal Festival in Trezzo Sull’Adda on October 30, 2016. The renewed lineup played in it’s entirety, for only the second time ever, their most popular record (so far), “Return To Heaven Denied”. The landmark album was originally released by Metal Blade in 1998 and is considered by many to be one of the highlights of the power metal genre in the late ‘90s. In fact, Classic Rock included it in their list of top albums from the genre.

The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.

Giacomo Meyerbeer - Les Huguenots (Die Hugenotten)

One of the greatest comedy shows in Norway over the years - is back with a huge show for the benefit of children and adults of all ages. Contains highlights from the threesome's anniversary performance at Sentrum Scene West in Oslo.

Christian Thielemann conducts this Staatskapelle Dresden production of Richard Strauss' chamber opera. The opera follows events at the home of the wealthiest man in Vienna, who has booked both a comedy burlesque act and a serious opera group for entertainment. When the dinner runs long he declares that both forms of entertainment must take place at the same time - much to the chagrin of the opera's proud young composer. Filmed live in Baden-Baden on Feb. 25 by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne.

The Bayreuth Festival mounted this 2009 production of Richard Wagner's 1865 opera Tristan und Isolde, with Michael Beyer directing. It stars Robert Dean Smith as Tristan, Iréne Theorin as Isolde, Michelle Breedt as Brangäne and Robert Holl as King Marke. The Bayreuth Festival Orchestra and Chorus lend musical accompaniment, under the baton of Peter Schneider, while Anna Viebrock designed the costumes and the sets; Cristoph Marthaler produced. The production at hand opened the 2009 Bayreuth Festival.

This staging of Harrison Birtwistle's opera The Minotaur features John Tomlinson, Johann Reuter, Christine Rice, and Andrew Watts in the main roles. Stephen Langridge directed the production for the stage, and Antonio Pappano conducted the orchestra.

The Bayreuth Festival Opera House mounted this production of Richard Wagner's 1865 opera Tristan und Isolde as part of the Bayreuther Festspiele. Staged by Heiner Müller, it stars Siegfried Jerusalem, Waltraud Meier, Poul Elming and Uta Priew, and features musical accompaniment by The Orchestra and Chorus of the Bayreuther Festspiele.

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

Claude Debussy's fairy tale-based opera Pelléas et Mélisande is by now well known; at once a tale of doomed love and a meditation on the cycle of creation and destruction (adapted from Maurice Maeterlinck's 1893 symbolist play), it originally premiered in 1902 to mixed critical reception, but has since become a staple of the operatic repertory and one of the most popular works from Debussy's canon. This particular production emerged from the Opernhaus Zürich in 2004. It stars Rodney Gilfry as Pelléas, Isabel Rey as Mélisande and Michael Volle as Golaud. Franz Welser-Möst conducts the Zurich Opera Orchestra; Sven-Eric Bectholf directs for the stage.

Richard Wagner's operatic retelling of the story of the search for the Holy Grail receives a lavish production in this video, which records performances held in Bayreuth, St. Petersburg, and Ravello, Italy. Internationally renowned tenor Placido Domingo leads the distinguished cast; Tony Palmer directs.

Oroveso, a Druid High Priest, gathers his people in a sacred forest and prays to their gods for help in vanquishing the Romans who have taken over Gaul. Unbeknownst to Oroveso, his daughter, Norma, a High Priestess, has for some time been the lover of Pollione, the leader of the Romans; she has, in fact, not only broken her sacred vow of chastity but has borne two children to the warrior. Norma uses her position to dissuade the Gauls from attacking the Romans, claiming that the gods have told her that the time is not favourable. Recorded at Théâtre Antique d'Orange, 1974

Premiered in Stockholm in 1978, the work is based on a play by Michel de Ghelderode (1898-1962) and unfolds in an imaginary land inspired by the famous Dutch painter Pieter Brueghel the Elder: Nekrotzar, the Grand Macabre, announces the end of the world; but in a land ruled by eros, alcohol and corruption, his plan to unleash the Apocalypse bursts like a soap bubble. LIVE RECORDING FROM THE GRAN TEATRE DEL LICEU, BARCELONA, 2011

James Morris leads an all-star cast including Karita Mattila, Ben Heppner, Thomas Allen and René Pape, in this production of Wagner's comic opera, recorded live at New York's Metropolitan Opera in 2001. James Levine conducts.

This 2004 production of Richard Strauss's three-act comic opera Der Rosenkavalier (1911) emerged from the efforts of the Grosses Festspielhaus Salzburg. It stars Adrianne Pieczonka as Feldmarschallin, Franz Hawlata as Baron Ochs, Angelika Kirchschlager as Octavian and Franz Grundheber as Faninal. The Konzertvereinigung Wiener Staatsopernchor and the Wiener Philharmoniker lend added musical support, with Rupert Huber serving as chorus master of the former and Semyon Bychkov conducting the latter.