Scanty Claus

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.

After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.

The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.

When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!

Co-hosts Josh Bath and Samantha Newman have troubles with their early morning talk show when Josh gets dumped live on the air and battles through the seven stages of grief.

A group of friends in a car give a ride to a stranger who will affect their lives indirectly.

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Two young strangers meet in Naples and begin to flirt and dance in the street.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

A salesman and a sexologist have misadventures with plot development determined by the votes of the studio audience.

Facing the loss of her youthfulness, Matilda finds herself at a turning point in her life. Refreshing encounters and unexpected longings force her to face rigid self-understandings with new openness. A surprising and empathetic look at the lives of young adults.

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam. It is Mary Woronov’s showcase piece, in which she metes out physical and psychological abuse to Susan Bottomly, Angelina “Pepper” Davis, and Ingrid Superstar in a room at the Chelsea Hotel. At first, the cast tries to accurately adhere to Tavel’s scenario, but by reel two it all falls apart—the performers begin to use their real names and exhibit a sort of residual stress disorder that permeates the rest of the film.

Liberté, égalité, improvisez !

Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.

"All-Stars" is a hilarious commentary on the state of all youth sports today, fueled by the outrageous behavior of the desperate sports parent living vicariously through his or her child. In the vein of "Best in Show", where it's more about the dog owners than the dogs - "All-Stars" is about the adults involved in youth sports (parents, coaches, umpires, volunteers, board members, etc.) more than the kids. The end result is a funny, yet compelling spin on fast pitch softball as well as a unique state of affairs on the outlandish antics of a few crazed parents.

On the heels of their enormously popular TV show, the Upright Citizens Brigade (Matt Besser, Amy Poehler, Ian Roberts, Matt Walsh) bring you Asssscat - an unparalleled improv comedy juggernaut. Beginning with a suggestion from the audience, a guest monologist tells a story that kicks off a series of high-octane improvised sketches. From medical marijuana to embarrassing sexual encounters, no topic is off limits to the renegade performers who have helped make Asssscat one of the longest running improv shows in the history of the world.

In Netflix's first-ever crowd work special, Matt Rife gets up close and personal with an unpredictable Charlotte audience to riff on all things dreams.

A successful psychoanalyst's life is turned upside down by a very anxious and extremely clingy patient who starts dating his daughter.