Scanty Claus

When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.

After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.

A desperate actor's callback spirals when an embarrassing mishap with the group's intimidating captain forces them into a secret pact.

Dobradiça Entrevista presents laid-back conversations and artistic performances for YouTube. Dobradiça Entrevista is under the umbrella of Dobradiça Enferrujada Records, a music label from the Federal District - DF, Brazil focused on free improvisation and experimental art.

A group of friends in a car give a ride to a stranger who will affect their lives indirectly.

The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

In post Civil War West Virginia, 9 year old Jamie's life is forever changed when he unexpectedly meets his Uncle Vernon.

Co-hosts Josh Bath and Samantha Newman have troubles with their early morning talk show when Josh gets dumped live on the air and battles through the five stages of grief.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Robert and Klaudia are a young Polish couple stuck in a rut, wondering what to do with their careers and relationship. When Klaudia’s old friend, Filip, shows up along with eccentric Wera, they purpose them a mutual Eurotrip. It might be the spark they all need to find out what they really want to do so they hit the road where they reevaluate their lives, loves and future plans.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.

Two friends resort to playing Rock, Paper, Scissors, flipping a coin, and detailed, yet petty analyzation of their friendship to determine which of them will call the mother of their recently deceased best friend, informing her of his demise.

In 1989, a collective of young hip hop artists gathered at a health food café in South Central Los Angeles. Their mandate? To reject gang culture and expand the musical boundaries of hip hop. DuVernay's documentary chronicles the historic legacy of the Good Life Cafe — the open mic nights that became an L.A. institution, the eclectic array of talented young MCs that emerged there, the alternative hip hop movement they developed, and their worldwide influence on the artform.

Two young strangers meet in Naples and begin to flirt and dance in the street.

Lavkultur

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.