Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.
The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende. A million people gathered on the Plaza de Mayo to acclaim the new President. One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship. On 28 May Argentina restored diplomatic relations with Cuba, which then received Argentine aid - such as food and industrial products - to break the United States embargo against Cuba.
Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams
A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.
On August 15, 1972, during the dictatorial government of General Lanusse, twenty political prisoners belonging to the PRT- ERP, FAR and Montoneros, escaped from Rawson prison in the Patagonian province of Chubut.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Resistencia Cultural
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.
Between March 22 and 23, more than 130 thousand people will witness a new milestone for argentinian music: Maria Becerra will be the first female argentinian musician to play in River, stadium where the most significant international stars have played.
A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.
The villagers of El Dorado, Argentina, shy away from doctors. Then again, they hardly need one. They have almost as many cures for ailments and illnesses as there are residents in the village. 65 year old Jorge can also cure the most dreaded ailment of them all, the much feared espanto.
Tiempos circulares
An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.
DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.
The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.