This full-length documentary chronicles the 30-year history of the 'Christian Metal' band, Bloodgood, who was targeted not only by a mainstream music industry that found their blatant use of faith-based lyrics unfitting with heavy metal, but also by religious extremists who believed their music was the work of the devil - confronted by death threats, picketers and protests throughout their career.
Tokyo work culture's most compelling and complex protagonist; the Salaryman. A nameless, voiceless, over-worked and under-valued cog in the labour pool, expected to compromise home and social lives. Late nights and intense drinking sessions leave many of them passed out in the city streets. This slick, incisive documentary raises questions around the ethics of our global working practices in a capitalist society.
This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.
IFBB Pro Tony Torres built a lucrative lifestyle which came crashing down after covering for a friend who committed a murder. After being chased by the FBI he was sent to prison for five years. Once he did his time, Tony had to build back his life.
Documentary examining the politics, music, and life of Tupac Shakur.
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Recorded on a single night in June 2000, In the Flesh is a thrilling live testament to the strength of Roger Waters's peculiar artistic vision. Backed by a crack ensemble of both fresh and seasoned players, the former Pink Floyd songsmith powers through Floyd classics, underserved relics, and highlights from his spotty solo career. [Chapters:] 01 Intro 02 In The Flesh 03 The Happiest Days Of Our Lives 04 Another Brick In The Wall (Part 2) 05 Mother 06 Get Your Filthy Hands Off My Desert 07 Southampton Dock 08 Pigs On The Wing (Part 1) 09 Dogs 10 Welcome To The Machine 11 Wish You Were Here 12 Shine On You Crazy Diamond (Part 1-8) 13 Set The Controls For The Heart Of The Sun 14 Breathe (In The Air) 15 Time 16 Money 17 The Pros And Cons Of Hitch Hiking (Part 11) 18 Perfect Sense (Part 1-2) 19 The Bravery Of Being Out Of Range 20 It's A Miracle 21 Amused To Death 22 Brain Damage 23 Eclipse 24 Comfortably Numb 25 Each Small Candle 26 Credits
Follows the Edmonton Oilers through the 1986-87 NHL Hockey season, as they battle towards their third Stanley Cup.
Released in 2016, the short film by Keith Ladzinski, Josh Povec and Andy Mann traces the origins of sport climbing in the legendary Verdon Gorges, which Americans inevitably compare to the US Grand Canyon. The Verdon is where climbing flourished in the 1970s. Through the eyes and experiences of Bruno Clément, Alan Carne, Emily Harrington, François Guillot, Matt Segal and Jonathan Siegrist, we take a look back in (very beautiful) images at the different routes of the Verdon Gorges.
A Film by Andre Perkowski Made Out Of All The Other Beach Boys Films
The film explores key moments in the history of the Expos as well as the relentless efforts to bring major league baseball to Montreal. Continuation of the work released in 2003.
A celebration of creativity, community, and friendship, The Visitors (2012) documents a 64-minute durational performance Kjartansson staged with some of his closest friends at the romantically dilapidated Rokeby Farm in upstate New York. Each of the nine channels shows a musician or group of musicians, including some of Iceland’s most renowned as well as members of the family that owns Rokeby Farm, performing in a separate space in the storied house and grounds; each wears headphones to hear the others. As the music begins and repeats, individual players stop, start, and move between rooms. Viewed together, the individual videos present an ensemble performance Kjartansson calls a “feminine nihilistic gospel song.” The piece itself sets lyrics from a poem by artist Ásdís Sif Gunnarsdóttir, Ragnar´s ex-wife, to a musical arrangement by the artist and Icelandic musician Davíð Þór Jónsson; the title comes from a 1981 album from Swedish pop band ABBA, meant to be its last.
Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.
Surgery
Eternal and cyclical movement. A young woman crosses the seasons. With his 8mm Paillard, Piavoli starts his poetic journey with a drawn-out gaze on nature, which condenses passing time into a single shot.
Young peasants come together to dance in the evening. The girls arrive by bike; the boys get ready for them by doing their hair. The less shy amongst them begin to dance. Then, some of them go home, singing as they go, delighted to have obtained a promise. Others take advantage of the dark to make love.
Emigrants from Calabria arrive at Milan station with their luggage, to make their home there or set off for other destinations. A man falls asleep in a waiting room. The travellers look lost and tired. The language of the others is henceforth incomprehensible; they are already foreigners in their own country.
The short registers a sports spectacle of great importance (probably of soccer). We never see the spectacle itself but the people watching and reacting at the stadium.